Russell Crowe fancies himself as the world’s greatest actor, so I was curious to see how he would fare in his directorial debut, The Water Diviner, about a grieving father’s quest to find his three missing sons in Turkey following the end of World War I.
The film is “inspired by a true story,” whatever that means, and while it is largely grounded in reality it has a somewhat “magical” feel, where audiences are supposed to be believe in miracles and that “everything happens for a reason”. I don’t want to say it is a bad film, because it’s not, though after hearing Crowe talk it up so much and describing how much effort and passion and experience he poured into the production, not to mention its win for Best Picture at the AACTA Awards (shared with Babadook), my immediate response after watching it was: “That’s it?”
It’s an Aussie production through-and-through, with a mostly Australian cast and crew that features one prominent recognisable foreign signee, the lovely Olga Kurylenko, as a widowed Turkish hotelier. Crowe apparently just wanted to focus on directing, but the film producers wouldn’t give the movie the green light without him in the starring role. Russell was said to have put the crew through a rigorous boot camp to prepare them physically and mentally for their roles, and raved on about how he felt he was the only person in the world who could do the film justice. Despite this being his first film as director, he believed he had more experience than most directors — including Ridley Scott — given his 30 years as an actor in the industry.
And yet, The Water Diviner, notwithstanding its touching premise, turned out to be not all that much better than a glorified TV movie. It is well-researched and provides the historical background from both sides — notwithstanding typical accusations of inaccuracies — and there are undeniably moving moments, dramatic scenes and nicely choreographed war sequences, though many of the positives are undone by a sappy tone and corny melodrama. The contrived romance between Crowe’s and Kurylenko’s characters, in particular, was completely unnecessary and took away the focus from the film’s heart, which is a father’s grief and the love for his sons.
Led by Crowe’s typical self-assuredness, the performances from the cast are decent. Jai Courtney, who seems to be everywhere these days, plays an ANZAC captain who has his doubts about the Aussie farmer’s quest. Jacqueline McKenzie has a small role as Crowe’s depressed wife, while Packed to the Rafters star Ryan Corr plays one of Crowe’s sons. Isabelle Lucas is for some strange reason in it, looking way too thin as a basically pointless side character.
Perhaps its the budget or time constraints, but The Water Diviner fails to deliver the sweeping epic it appears to have set out to be. Instead, it’s a solid and even occasionally good, but ultimately unspectacular film that likely won’t have producers rushing to ask Crowe to direct their future projects.
3 stars out of 5