Top 10 Films of 2011!

December 30, 2012 in Best Of, Movie Reviews, Reviews

It had to be done. My list of 10 favourite films of 2011. Actually, I cheated. It’s really 11 films because I didn’t feel it was right to leave one of them out, so I made them both equal 10th.

In the end, after going through all 110 films I watched from that year, I came to the conclusion that 2011 was a fairly decent year in cinema. Not necessarily a lot of extraordinary “all-time “films but a fair number of very very good ones. Also a lot of 4-star films and a couple of films higher than 4 stars that unfortunately couldn’t make the cut.

Again, this list is based on the ratings I gave when I initially reviewed the movies. It is also a list based on the films I liked the most as a casual filmgoer, rather than a list of films judged the best by some sort of objective standard.

Without further ado, here goes. (Click on the titles for the full review)

10 (tied). The Adventures of Tintin (2011)

We're in the top 10 films of the year, Snowy! Let's celebrate!

We’re in the top 10 films of the year, Snowy! Let’s celebrate!

I felt compelled to include this one in the top 10 because it’s one of the best animated films I’ve ever seen. I know cartoons can do cute and comedy, but this is the first time I found an animated film so exhilarating to watch. A bit long, of course, but a remarkable and landmark achievement in motion capture animation features.

10 (tied). Moneyball (2011)

Our movie's pretty awesome, chubby!

Our movie’s pretty awesome, chubby!

I don’t think you need to love baseball to love this film, which I found insightful, amusing and moving in a strange kind of way. It might have moved a little slow for some but the pace was just right for me. And kudos to Kerris Dorsey for stealing the show as Brad Pitt’s daughter, especially for her sweet rendition of Lenka’s “The Show.”

9. The Ides of March (2011)

Vote for me or I'll stomp your head in

Vote for me or I’ll stomp your head in

I’m a sucker for political dramas/thrillers and this was another one brilliant one that just happens to star three of the best actors in Hollywood — George Clooney, Ryan Gosling and Philip Seymore Hoffman. Far from perfect but in many ways it comes across as a more stylish version of Primary Colors, still one of my faves from the 20th century.

8. Mission Impossible — Ghost Protocol (2011)

I'm on a date with Robin Thicke's wife!

I’m on a date with Robin Thicke’s wife!

Just when you thought Tom Cruise’s career was on the rapid decline path he churns out one of the best, if not the best, action movie of 2011 with fourth instalment of the Mission Impossible franchise, in my humble opinion the best one yet. Its simplified but intelligent plot and ridiculous action sequences provided a non-stop adrenaline rush and almost had me jumping on the seats like Cruise on Oprah.

7. Warrior (2011)

Bain vs Tom Buchanan

Bain vs Tom Buchanan

Take note, Never Back Down 2: The Beatdown — this is how you do an MMA movie. Actually, by infusing the narrative with a touching storyline and characters we can root for, Warrior is by far the best MMA movie of all time, and leaped onto my top 10 list of 2011 the moment the credits started rolling.

6. Super 8 (2011)

Look, it's E.T.!

Look, it’s E.T.!

My appreciation for Super 8 has perhaps waned a little since watching it more than a year ago,  but at the time I watched it I thought it was potentially this generation’s E.T. — the nostalgia it created was as powerful as anything I had seen in years. Even without it, the film was still highly entertaining and a lot of fun. A great family film.

5. Hugo (2011)

I heard the toymaker used to be Gandhi...

I heard the toymaker used to be Gandhi…

I can’t believe there are so many family films on my list, but there’s no way I could leave Hugo off this list. This remarkable Martin Scorsese film is rich and enriching, magical and emotionally rewarding. On top of that I found it incredibly impressive from a visual perspective and it’s also one of those rare films where the 3D was not detrimental to the overall experience.

4. Midnight in Paris (2011)

I wanna hug this movie too

I wanna hug this movie too (and Rachel McAdams)

If Hugo is for cinema lovers then Midnight in Paris is for lovers of literature. I had no idea what the film was about (thanks to the spoiler-free trailers) but was blown away by the clever script and the perfect tone created by Woody Allen in what must be his best film in years. Sweet, engaging and charming, it’s the best lighthearted movie of the year.

3. Drive (2011)

Yep. I'm Ryan Gosling and I can do no wrong.

Yep. I’m Ryan Gosling and I can do no wrong.

Drive might become my favourite 2011 movie when I look back years down the track, but for now, it’s no. 3. This stylish, ultra-violent neo-noir crime drama won’t be everyone’s cup of tea, but for me it simply has the X factor. I was captivated by this film from its brilliant start (one of the best intros ever) all the way through to its powerful conclusion. I don’t really care if the movie has an underlying message — I just thought it was awesome to watch.

2. We Need to Talk About Kevin (2011)

Stop freaking me out!

Stop freaking me out!

Based on the acclaimed novel, We Need to Talk About Kevin haunted me when I watched it and still gives me the chills whenever I think about it. As a new father, this film, which is really a “horror” more than anything else, resonated with me in a way few films do and much of that has to do with the spectacular performance of Tilda Swinton, who absolutely should have at least had an Oscar nomination. The recent tragedy at Newtown has had me thinking about the movie a lot lately, which could be why it topped Drive for the no. 2 spot.

1. Rise of the Planet of the Apes (2011)

Get your dirty hands off my wand, Malfoy!

Get your dirty hands off my wand, Malfoy!

That’s right. My favourite film of 2011 is Rise of the Planet of the Apes. And if you don’t like it you can bite me! What can I say? I love those monkeys. Seriously, it may be an unconventional choice, but to me this was the best film of the Apes franchise (yes, including the iconic original) and may possibly be one of the best popcorn movies of all-time and one of the most entertaining movies ever. I’ve seen it more than twice and I still think its awesomeness is unparalleled. A cool premise, mindblowing special effects and the most epic action sequences of the year — who cares how much sense it made when it’s so much fun to watch?

Well, that just about does it. With less than two days to go in the year, it looks like this 2011 list will only be one year late instead of two. I promise my 2012 list will be posted during the first half of 2013! Promise!

Honourable mentions: 50/50, X-Men: First Class, Shame, The Descendants, Crazy Stupid Love, Snowtown, Limitless, Harry Potter and the Deathly Hallows Part 2

PS: I just realized I never reviewed the Hollywood version of The Girl with the Dragon Tattoo on this blog. I have no idea why, but from memory I gave it 4 stars and it would have missed out anyway, though it probably would have made the honourable mentions list.

Battle of the Polarizing Films: Drive (2011) vs The Tree of Life (2011)

November 13, 2012 in Best Of, Movie Reviews, Reviews

It’s November and I still haven’t finished reviewing my list of 2011 films. So here’s another film battle — this time,  between two of the most polarizing films of last year – Drive and The Tree of Life. I thought one of these films was amazing, and the other boring and pretentious — but can you guess which is which?

Drive (2011)

I had heard some mixed reviews of this Ryan Gosling neo-noir crime drama. Some said it was slow and boring and too violent for its own good. Others said it was one of the best films of the year.

The story follows Gosling’s unnamed lead character, who works as a mechanic by day and a getaway driver for criminals at night. You don’t know much about his past or background, but all you know is that he is one heck of a driver who can stay calm under the tensest of situations and a badass you wouldn’t want to mess with. He befriends a neighbour, played by Carey Mulligan, and her young son, whose father is in prison and owes protection money to the mob.

It’s a simple story driven by a fascinating character and a sublime performance from Gosling, who seems to be unable to do anything wrong these days. It’s also boosted by a superb all-star cast, including the omnipresent Bryan Cranston, Albert Brooks, Ron Perlman and Christina Hendricks.

With the exception of Mulligan, who gives a good performance but feels miscast in the role, I loved everything about this riveting film, which had been hooked and on the edge of my seat from the opening sequence — which is, might I add, one of the best of any movie ever. I loved the tension and I loved the mystery of Gosling’s character — the calmer he was the more nervous I got. And I don’t often notice the soundtrack but this one’s was rocking — the ethereal-electronic-pop-dominated score was perfect for the look, style and feel of the film. (For some reason it reminded me a little of the video game Grand Theft Auto!)

As for the violence, yeah, it might have been a little excessive (elevator scene, anyone?) but I thought it fit in well with the overall tone and added an edge to the tension. I’ve always been a fan of well-executed violence (thanks, Tarantino), and I suppose this is a great example of it.

One of the best, and potentially one of the most memorable, films of the year for me.

5 stars out of 5

The Tree of Life (2011)

The buzz around The Tree of Life before I watched it was that it is a revolutionary piece of filmmaking that cements his place in cinematic history as one of the best directors of all time. But word of mouth from relatives was that it was so confusing and boring that walking out would have been a better option than staying until the end.

My previous experiences when it comes to Terrence Malick have not been positive. I remember when people were calling The Thin Red Line a vastly superior film to Saving Private Ryan and decided to check it out, but had too much trouble trying to decipher all of Nick Nolte’s mumbling to really understand what the fuss was all about. Then I watched his next effort, The New World with Colin Farrell, but I gave up on it about 20 minutes in after, again, failing to get through all the mumbling voice-overs. What’s this guy’s deal with incomprehensible philosophical mumblings?

Anyway, I thought as a more mature movie viewer, I would now be more capable of appreciating Malick’s art. But in the end, I couldn’t bring myself to enjoy it. The Tree of Life had its fair share of mumblings as well, but that wasn’t its problem. Its problem was trying too hard to be “profound”, to be “different”, to be a “masterpiece.”

Essentially, this “experimental” film follows a middle-aged man’s (Sean Penn) memories of his childhood in Texas in the 1950s with his parents (Brad Pitt and Jessica Chastain), but at the same time it is also supposed to be some chronicle of the history of the universe that explores the meaning of life.

I don’t have a problem with ambitious projects, which this clearly is, but I suppose you need to be in the right kind of mood to enjoy The Tree of Life (ie, high on LSD or something). If you’re expecting a linear narrative with a clear story to tell, then you’re going to be sorely disappointed. But if you’re expecting a movie to suddenly turn into the National Geographic channel and show the images cosmos and dinosaurs and asteroids, and feel that it explains what life is all about, then you’ll probably love The Tree of Life.

I do appreciate the artistic merits of the film to some extent, as well as the beautiful images of nature that Malick projects onto the screen. The scenes depicting the children and their relationship with their father are also done well and occasionally stirring. In that sense I guess I don’t despise The Tree of Life like some others do, but at almost 140-minutes it was just too much to take and digest. Frankly, I was often bored and frustrated.

Maybe I’ll have more luck with Malick’s next film, To the Wonder, a romantic drama starring Ben Affleck and Rachel McAdams. I heard people booed laughed at it during the Venice Film Festival earlier this year.

2 stars out of 5!

Movie Review: The Ides of March (2011)

December 4, 2011 in Movie Reviews, Reviews

I really need to get a move on.  It’s almost the end of 2011 and there are too many potentially good movies to be watched before 2012.  And so I began my (hopeful) end-of-year movie blitz with a 2012 Oscar frontrunner, The Ides of March, directed by, co-written by and starring George Clooney.

I’m a sucker for political dramas (I thought the 1998 John Travolta film Primary Colors was fantastic), and so I had high hopes for this film, which also stars some of my favourite actors, including Philip Seymour Hoffman, Paul Giamatti and Marisa Tomei.  However, The Ides of March really belongs to Ryan Gosling, who continues to impress with a controlled, Oscar-worthy performance as Stephen Meyers, a junior campaign manager for Clooney’s (potential) Democratic presidential candidate, Mike Morris.

Without giving away too much, the film follows the young, bright and extremely capable Meyers as he tries to assist Pennsylvania Governor Morris in securing the state of Ohio in the Democrat’s presidential candidate race against an Arkansas Senator.  Securing Ohio effectively clinches the nomination (and essentially the White House), so it’s a big deal, but both Meyers and Morris are idealists who want to run the race with integrity and without compromising their values.  However, as they both find out throughout the course of the film, politics is a dirty game where the lines and boundaries and continually being pushed and blurred.  To what extremes will they go in order to get what they want?

I won’t divulge more than that except to say that The Ides of March is, at its core, a somewhat cynical political tale about the loss of innocence.  It begins slowly and is what some would call a slow burner, so it won’t be for everyone.  But I enjoyed every minute of it.  Apart from giving viewers a fascinating behind-the-scenes look into the shady deals, compromises and grey areas in these political processes — daily battles with competitors, internal power struggles, schmoozing journalists and smoothing out scandals — the stylish intensity that underlies the film from start to finish really elevates this otherwise unremarkable story (if you think about it)  to one of the best dramas of the year.

The perfect performances from the awesome cast must receive a significant chunk of the credit.  Gosling has already been nominated once (for Half Nelson in 2006), and this could be the year he takes out Best Actor at the Oscars.  Clooney (Syriana), Hoffman (Capote) and Tomei (My Cousin Vinny) are all Oscar winners and Giamatti is a multiple nominee, and each brings a touch of class to their character — all of whom possess a different side to what is originally presented.  And Evan Rachel Wood, who has a key role as a Morris campaign intern, is surprisingly good and steals a lot of scenes (no mean feat considering the company).

The Ides of March is a clever, well-executed drama with impeccable performances.  It’s probably not for the casual filmgoer looking for light, fast-paced thrills, but I think lovers of (American) politics and serious dramas will thoroughly enjoy it.

4.5 stars out of 5

Movie Review: Crazy, Stupid, Love (2011)

October 17, 2011 in Movie Reviews, Reviews

Never been a huge fan of ‘romantic dramedies’ (thanks, Mr Judd Apatow) but Crazy, Stupid, Love is somewhat of an exception.  While it’s far too long and suffers from some of the tonal unevenness often seen in such films, I found myself thoroughly enjoying this clever meshing of different stories about the beauty, excitement, angst and heartbreak of love and life.

Crazy, Stupid, Love is driven by several damaged but very likeable characters.  There’s Cal (Steve Carrell), a middle-aged man who discovers his wife (Julianne Moore) has been cheating on him with a colleague (Kevin Bacon).  There’s Jacob (Ryan Gosling), a wealthy playboy and expert in the art of seduction who takes Cal under his wing until he meets Hannah (Emma Stone), a young lawyer stuck with a loser boyfriend.  And there’s Cal’s 13-year-old son Robbie (Jonah Bobo), who is obsessively in love with his babysitter Jessica, (Analeigh Tipton — who apparently was a high ranking contestant on America’s Next Top Model?!), who has a secret crush of her own.

It’s a ridiculously amazing ensemble cast that also features the always-brilliant Marisa Tomei (who almost steals the show) and everybody’s favourite husband from Fargo, John Carroll Lynch.  The performances really elevate the overall quality of the film, and I was personally surprised by Carrell’s drama acting chops as well as Gosling’s comedic acting chops.  For me, the standouts were Tomei, Gosling, Bobo and Tipton, but there were no weak links.

What impressed me most about Crazy, Stupid, Love was that the comedy side of it was genuinely funny (perhaps not gut bustingly so but amusing enough) and the drama side of it was actually romantic and emotionally effective too.  There aren’t many romantic dramedies I can think of in recent times that tick both boxes.  It also did a fabulous job of linking all the characters and stories together in a way many ensemble cast stories do but in a cleverer way.  This was not one of those sugar-coated, lovey-dovey movies with a predictable ending, even though it’s at times (bitter)sweet and full of heart.

I still don’t like romantic dramedies but if they can all be like Crazy, Stupid, Love (except a little shorter than its 118-minute-but-felt- longer running time) then I might be more willing to give them a try.

4 stars out of 5