Contemplating the end of the world

December 17, 2012 in Best Of, Misc

You know you want this to happen

You know you want this to happen

So the world is apparently going to end on December 21.

We’ve had plenty of scares before, be it Y2K or Nostradamus or some loony evangelical pastor in Texas, but this time a lot of people genuinely believe it because it’s supposedly from the Mayans. Chances are most of them have seen Apocalypto and know just how awesome the Mayans are and can never be wrong.

But as always, there are also people telling us everything will be OK. December 21 will just be like any other day, they say. The Mayan calendar actually goes on and on, but they just ran out of walls in that particular cave. D’oh.

NASA has reportedly also confirmed that there are no meteors or asteroids coming our way, so that rules out a Deep Impact (or is that Deep Rising?) or Armageddon scenario.

Not many people have mentioned the possibility of something like The Core happening (you know, that Aaron Eckhart and Hilary Swank movie about how the Earth’s core stops rotating) — apparently the science is a little off in that one.

Unexpected and rapid global warming causing a 2012 or The Day After Tomorrow scenario is still possible, right? Apparently not, or else world leaders would be in hiding already.

So that leaves us with some kind of unforeseen natural disaster (probably an earthquake) — though I understand earthquakes can be predicted to some degree these days and in any case it’s unlikely to affect the entire planet — or an Independence Day, Cloverfield, The Day the Earth Stood Still or War of the Worlds-like alien invasion. I personally believe that if it’s going to be anything it’ll be Godzilla, or better still, Rise of the Planet of the Apes.

All joking aside, all this talk about the end of the world coming has gotten my thinking. If it was really going to be the end, would I have done everything I wanted to do by this point in my life? The answer is of course no.

I have done some (admittedly rough) calculations and I believe I need (without concern for finances and a day-to-day job) a full year to catch up on all the movies I had planned to see, a year to read all the books I planned to read, half a year to watch all the TV series I want to see, half a year to play all the video games I’ve wanted to play, a year each for the two books I want to write, another six months for a screenplay, six months for travel and six more months to get into shape. That’s seven and a half years.

That’s not the time I need to do those things for the rest of my natural life, just the time I need to catch up to where I want to be right now.

Which brings me to the conclusion that if I survive December 21 I’m going to need to get a move on. With everything.

Movie Review: Rise of the Planet of the Apes (2011)

August 4, 2011 in Best Of, Movie Reviews, Reviews

This review was supposed to be further back in my backlog of to-do posts, but I’m moving it right to the top because I can’t stop thinking about it.

The reboot origins film, Rise of the Planet of the Apes, had been my ‘most anticipated movie of the year’ for months ever since I caught a glimpse of the awesome trailer.  I had always been somewhat interested in the Apes franchise, even though I had only seen the 1968 original and the entertaining but slightly misguided Tim Burton 2001 remake.  But this one was a must-see: an ingenious present-day setting, seamless digital effects, what appeared to be all-out action, and Andy Serkis (Gollum, Kong) doing motion capture for the lead ape, Caesar.

With such high expectations, it would have easy to have been disappointed.  But no, Rise of the Planet of the Apes was everything I could have hoped for and more.

Those who have seen the trailers and/or are familiar with the franchise will have a fairly good idea of what happens in this film.  James Franco plays Will Rodman, a young scientist working on a cure for a debilitating human illness.  The clinical trials are conducted on apes, and unexpected side-effects arm the mistreated subjects with human-like intelligence.  And you don’t need much intelligence (human or otherwise) to guess what happens next.

Ordinarily, knowing how a story unfolds dampens the excitement of a film, but surprisingly not in this case.  Rise of the Planet of the Apes takes the audience straight into the action and doesn’t let up.  The storytelling is so efficient that I found myself utterly engrossed throughout the 110-minute running time, never getting the feeling that I knew exactly what was going to happen next or pausing to contemplate potential gaps in logic.

Of course, a main reason to go see this film is the special effects, which are amongst the best I have ever seen.  No more humans in clunky ape make-up — these apes look creepily, frighteningly real, and the range of facial expressions they exhibit make them easy to connect with emotionally whilst keeping us wary of what they are capable of.  Andy Serkis as Caesar, in particular, is absolutely mesmerising as the true ‘star’ of the film.  You know the effects team have done a good job when you don’t even think about the quality of the effects until the credits start rolling — you just take it for granted that what you’re seeing on the screen is real.

Having saturated the film in praise, I have to admit that Rise of the Planet of the Apes does have flaws.  I’m not sure if it was miscasting or just a poorly written character, but James Franco’s human scientist came across as a fairly weak protagonist.  I never really felt that the bond between him and Caesar was as strong as it ought to have been.

Perhaps it was intentional to allow the apes to be propelled into the forefront, as the rest of the human characters were all rather weak — either cardboard cut-outs or over-the-top stereotypes (I’m looking at you, Tom Felton and David Oyelowo!).  Freida Pinto (from Slumdog Millionaire) as Franco’s love interest was almost invisible — you could have written her out of the script entirely and it wouldn’t have made much of a difference.  The only human character that made a connection with me was the great John Lithgow as Franco’s father.

However, my issues with the human characters aren’t as crucial as they may seem, for Rise of the Planet of the Apes is really Caesar’s story, told from his point of view.  I just find it bizarre for me to wonder whether it’s a good thing that the apes were more human than the humans…

Finally, the all-important rating.  Usually it would be inconceivable for me to contemplate giving a film like this anything more than 4 stars.  Sure it’s clever, entertaining, exciting and visually spectacular, but it’s still a flawed movie about apes taking over the planet.  But you know what?  I’ve looked through all my reviews this year and I can honestly say there is no other film that I’ve liked more and enjoyed more in 2011 than Rise of the Planet of the Apes.  So what the heck.

5 stars out of 5!

PS: Note that this film is considered a ‘new origins’ prequel to the 1968 original (and has numerous delicious allusions to it) because it does not match up with the storyline in any of the subsequent films.  In many ways, this is a much better origins story that reflects the rate of our current (frighteningly rapid) advances in technology and sets the stage for at least a couple of mind-blowing sequels (can’t wait already!).

Book Review: ‘Naked’ by David Sedaris

June 29, 2011 in Book Reviews, Reviews

For me, David Sedaris is the master.  When it comes to the type of comedic writing I want to be able to emulate, there’s nobody better than him.  Having attempted (well, attempting) comedic writing myself over the last few months, I am discovering first hand just how difficult it is to make writing amusing.  And Sedaris’s writing is not just amusing — it’s consistently laugh-out-loud funny, but at the same time it is incredibly clever and somehow manages to maintain an air of sophistication.

In my efforts to be more Sedaris-like in my own writings, I sought out one of his earlier books, Naked, published in 1997.  Like the other Sedaris book I read, When You Are Engulfed in Flames (review here), Naked can be classified as a collection of ‘personal essays’ of varying lengths.  Each essay covers an aspect or person of Sedaris’s life, from early childhood to adulthood, and are filled with outrageous characters (many of which are in Sedaris’s family) and anecdotes.

Titles of some of the my favourite essays include ‘A Plague of Tics’ (about Sedaris’s obsessive compulsive tendencies as a child), ‘Dix Hill’ (when Sedaris worked in a mental hospital as a teenager), ‘I Like Guys’ (where Sedaris discovers his homosexuality), ‘The Drama Bug’ (when Sedaris became a theatre fanatic and spoke in Shakespearean for months), ‘Planet of the Apes’ (about Sedaris’s hitchhiking stories), ‘The Incomplete Quad’ (where Sedaris shared dorms with quadriplegic students for free housing), and ‘Naked’ (about Sedaris’s experiences in a nudist colony).

Yes, as the above suggests, Sedaris is a weird, neurotic, somewhat disturbed guy, but he embraces it with a bizarre sense of self-righteousness and humility.  His stories are hilarious because they are so brutally honest, and each joke almost always provides some kind of insight into human nature.  And every now and then he would surprise you with a dash of poignancy, like the piece on his mother’s passing from cancer (‘Ashes’).

Sedaris weaves his internal thoughts, the anecdotes, the stories and the characters together effortlessly with elegant, clean prose, marvellous dialogue (some of which are really mini-soliloquies), astute observations and crafty storytelling.  The thing that amazes me most about Sedaris’s writing is that he knows exactly what words to use to convey the image he wants you to form in your mind.  His descriptions are brief but on the money just about every time, and he can give you a pretty good idea of what a person is like in a just a couple of slabs of dialogue.  He brings his characters to life in a way that few writers can.

I didn’t necessarily like every piece in the book, though that being said, each piece had its moments and I absolutely loved around half a dozen of the 17 essays.  I am certain that I will read his work again (and hopefully sooner rather than later).

4.5 out of 5

 
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