The Giver is the latest big screen adaptation of a popular teen sci-fi novel (this one’s based on Lois Lowry’s 1993 book of the same name). But anyone expecting another Hunger Games or Divergent is likely to be disappointed. While The Giver is not a complete waste of time as it explores, maybe intelligently for some, familiar themes about free will and dystopian and utopian societies, in the end there’s just not enough there — whether it’s action, romance, heart or genuine substance — to call it a worthwhile experience.
The story is set several decades into the future, in which a post-war community comes up with the brilliant idea of erasing everyone’s memory in a bid to create a world of peaceful co-existence. Additionally, everyone is assigned to preselected families and jobs, and have to live by a strict set of rules, one of which gives Katie Holmes the opportunity to say, “Precision of language!” a lot. Doesn’t sound like utopia, but I suppose the idea is that ignorance is bliss.
Our 16-year-old protagonist, Jonas (Aussie Brenton Thwaites in yet another Hollywood role), is assigned by the community’s chief elder (Meryl Streep) to the most important role in the community, the next Receiver of Memories, meaning he must become an apprentice to the current receiver, The Giver (Jeff Bridges). Naturally, as the plot necessitates, the more memories of the past Jonas receives, the more he begins to question the validity of the whole regime. Boom shakalaka!
The Giver comes across as a bizarre crossbreed between Pleasantville and Divergent, where people pigeonholed into rigid categories by an authoritarian system shake things up by inevitably giving in to the urges of human nature. And like Divergent, it’s one of those films where you get the sneaking suspicion that the story works much better on the page than the screen because of its high concept premise. There’s no denying that the central conceit of the film is difficult to swallow, and if you think too much you’ll just get tangled up in the web of common sense and logic fails.
Still, I quite liked the pleasing visual style of Aussie director Philip Noyce, and it’s never a bad thing when screen legends Meryl Streep and Jeff Bridges are involved. The surprising stand out for me, however, has to be Katie Holmes as Jonas’s mother, though I suppose she has an unfair advantage when it comes to acting zombie-esque in a cult like environment after being married to Tom Cruise for all those years. By the way, Taylor Swift is also in this, and as expected she is a singing robot.
In the end, The Giver feels like a valiant effort at bringing to life a beloved novel, but the various elements just don’t quite come together. This is a film I think lovers of the book might be able to enjoy a lot, though for me it felt like there were more than just a few pieces of the puzzle missing.
2.5 stars out of 5