Movie Review: Taken 2 (2012)

October 21, 2012 in Movie Reviews, Reviews

The moral of the story is simple: don’t f*&% with Liam Neeson.

After getting a thorough ass-whooping in the first film, which I declared was one of the best action films of the past decade, those pesky Albanians did not learn their lesson. The father of one of the human traffickers wanted revenge, and he was going to make Bryan Mills pay with a lot more inept henchmen. Bad idea.

I may sound like I’m teasing, but I actually enjoyed Taken 2 a lot. It was impossible to live up to the original anyway, which surprised just about everyone with its brutal efficiency and the total badassness of Neeson’s Mills, a former CIA operative who can kill you in just about every way imaginable. True, Taken 2 is a lazy and completely unnecessary sequel that is even more far-fetched than the original, and let’s face it, was made with only $$$ in mind, but it still manages to thrill by re-captivating some of the magic of the original.

The premise ofTaken 2 is about as unimaginative as it gets: the father of the dude whom Mills electrocuted in the first film in Paris promises to avenge his son’s death. Mills is in Istanbul for freelance security work and is visited by his ex-wife (Famke Janssen) — who is conveniently having “problems” with her second husband — and their daughter (Maggie Grace, who is surprisingly convincing as someone young enough to be going for her driver’s licence). Nasty henchmen try to “take” them all (and succeeds with two of them, hence Taken “2″ — get it?), unleashing the killing machine in Mills once again.

Taken 2 steals shamelessly from its predecessor without really attempting to do anything new or different. Liam Neeson shows off some incredible secret agent brains in addition to killing enemies with guns, melee weapons and his bare hands, and Maggie Grace has a much larger role, but that’s about it. Director Olivier Megaton (surely that cannot be a real name), whose previous efforts include Columbiana and Transporter 3, replaces Pierre Morel, but I didn’t really feel that much of a difference in style. There are gun fights, hand-to-hand combat and car chases galore, all of it happening at break-neck speed after the predictable initial set-up.

The script, written again by Luc Besson and Robert Mark Kamen, is lazy — there’s no way to deny that. It assumes we know what Bryan Mills is and what he and has family have been through, and character development is essentially provided through flashbacks to the first film. The bad guy is pretty pathetic and is driven only by revenge, but at the same time he has some strange reasons for not wanting to kill Mills when given the opportunity. The Albanians also sometimes speak to each other in what I presume is Albanian, and at other times in English with Eastern European accents — none of it makes much sense.

But on the other hand, there’s nothing quite like watching the captivating Neeson — who is 60 years old in real life, by the way — run around beating up and killing a whole bunch of bad guys. It’s brainless entertainment but it’s fun and exciting while it lasts.

In other words, if you enjoyed Taken, there’s a good chance you’ll enjoy parts, or at least elements, of Taken 2. It’s no secret that the film was cashing in on the success of the original, which is vastly superior in every way, but watching Liam Neeson go on a rampage for an action-packed 91 minutes is still preferable to the majority of action films these days.

3.5 stars out of 5!

PS: If there is going to be a third film, which is highly possible given the loose ends in the script, I’ll definitely be watching.

Movie Review: Battleship (2012)

May 5, 2012 in Movie Reviews, Reviews

Gambit and John Carter is now a naval officer battling aliens!

Rising superstar Taylor Kitsch leads an all star cast in Battleship, a sci-fi blockbuster I, admittedly, thought was going to be pure trash when I saw the teaser trailer ages ago. I mean, come on, are we so short on ideas these days that movies now have to be based on board games? Anyway, Kitsch plays Alex Hopper, a bit of a loser who, we are told repeatedly, is a guy high on talent but short on discipline — until he is forced to join the navy by his decorated older brother Stone Hopper (Alexander Skarsgard, the really tall vampire from True Blood). Meanwhile, he has managed to score Andy Roddick’s wife (Brooklyn Decker) as a girlfriend, but the relationship is opposed by her father, the always awesome Liam Neeson, who also happens to be the brothers’ superior.

Whatever. This is essentially a rather pointless backdrop for the real story — the sending of a satellite signal to an earth-like planet far far away, and eventually receiving an unfriendly response in the form of Transformer-like water fighter jets and nasty aliens in metal body suits. Let the battleship games begin! (And yes, they do to some extent replicate the “blind bombing” of the board game)

Look, despite how badly that sounded, Battleship turned out to be a pretty decent piece of popcorn entertainment that harks back to the fun-filled action blockbusters of the late 90s, such as Con Air, Face Off and Armageddon. Like those films, Battleship takes itself “half-seriously” — complete with huge explosions, tough guys pretending to be cool, cheesy dialogue, tongue-in-cheek jokes and groups of people walking towards the camera in slow motion while rock music blares in the background. If you can accept the film for what it is, let go of your brain and just go with the flow, you might end up enjoying the film as much as I did.

Battleship combines white knuckle naval battle action with supreme special effects, making it a great movie to watch on the big screen. All that running and flying around occasionally gets a little muddled with the quick cuts, but for the most part director Peter Berg (The Kingdom, Hancock) does an admirable job of keeping the film afloat.

Taylor Kitsch is solid as the confused hero forced to realise his full potential, providing a mix of leading man charm and self-deprecating humour. He’s already been in two blockbusters in 2012 and is set to appear in Oliver Stone’s crime-thriller Savages later this year. The rest do their best with the cookie cutter characters they have been given, with special mention going out to Rihanna for not sticking out like a sore thumb in her debut acting role. She plays an action-based character who doesn’t say a whole lot (definitely a good thing) but she delivers a performance that matches well with the rest of the cast.

At the end of the day, Battleship is unlikely to be remembered as a great, or even good movie, but as far as fun, visual-effects driven action blockbusters go, it’s definitely one of the better ones.

3.75 stars out of 5

Movie Review: Unknown (2011)

February 18, 2011 in Movie Reviews, Reviews

I had been looking forward to seeing Liam Neeson’s latest thriller, Unknown, ever since I saw the trailer a few months ago.  It reminded me of Taken (another Neeson film), one of my surprise favourites from a couple of years back, with an compelling mystery anchoring the plot — a biologist visits Berlin with his wife and has an accident, and when he wakes up from a coma days later, another man has assumed his life.

Is there a conspiracy at play here, or has he lost his mind?  And what lengths will he go to in order to uncover the truth and take back his life?

For the most part, Unknown unfolds as expected.  Nothing appears to make sense, and it keeps you guessing whether what you’re seeing is real, imagined, or perhaps both.  At the same time, there is action, suspense and thrills, and plenty of it.  I can honestly say I was intrigued.

Of course, Liam Neeson is brilliant, but the supporting cast wasn’t too shabby either — Diane Kruger, January Jones, Aidan Quinn, and Frank Langella.  Each actor/actress manages to put their stamp on their characters, even with limited screen time.

Director Jaume Collet-Serra (who directed the underrated Orphan) does a fairly good job here with some pretty farcical material (and I’m not just talking about how improbable it is for someone as attractive as Diane Kruger playing a taxi driver).

In less capable hands, Unknown could have easily spiralled out of control, but despite all the plot holes and unnecessary convolution in the unravelling of the mystery, the film manages to stay afloat and avoid total disaster.

Ordinarily, films with predicaments this bizarre can only end in bitter disappointment.  You’ll tend to be riveted by the mystery until you discover the truth, which is usually outrageous or silly or both, and the film just completely crumbles from that point on.  Surprisingly, Unknown‘s resolution is about as good as you can get for a film of this kind.  It’s not necessarily believable, but considering how far it takes you, it’s at least within the realm of possibility.  Or so I tell myself…

3.5 stars out of 5

End of Year DVD Blitz: Part III

December 29, 2010 in Movie Reviews

Part II of my end of year DVD Blitz was downright awful.  Part III is still a bit of a mixed bag, but there are a few decent ones.  Here’s five more, and there will definitely be a Part IV coming soon.

Legion (2010)

I think this film screened at the cinemas but was gone as quickly as it came.

Starring Mr Jennifer Connelly (Paul Bettany), Lucas Black, Dennis Quaid, Tyrese Gibson and Kate Walsh, Legion is a film of two halves.  The first half was actually sensational — intriguing, exciting, bizarre and downright frightening at times, leading me to start thinking this was going to be one of the best biblical apocalopse movies in recent memory.  Weird mutating demonic people, a bunch of characters stuck in the cafe of a service station in the middle of nowhere, and an enigmatic, sinister looking dude who appears to be an angel — Legion really started off with a bang.

And then, about halfway through…everything just fell apart.  One minute I was on the edge of my seat, and the next, I was struggling to stay awake.  Unfortunately, the rest of film stayed that way until the end, failing to provide a final spark that would have redeemed the film.  Oh well.

It probably doesn’t deserve this high of a rating, but on purely on the strength of the first half of the film I’m going to give it:

3 stars out of 5

Chloe (2009)

This film had gotten plenty of publicity, and not just because it was based on the French film Nathalie, directed by Atom Egoyan, and features an all-star cast.  It was because Amanda Seyfried apparent gets her gear off.

While she does, of course, as does Julianne Moore, Chloe is really quite tame as an erotic psychological thriller (most of it is verbal).  But it’s still a pretty interesting, strangely compelling film about a woman (Julianne Moore), her husband (Niam Leeson), their son (Max Thieriot), and a prostitute (Amanda Seyfried).

Moore gives a knockout performance as always, and while the film was rather slow paced, it was atmospheric and well-made.  A great study into relationships and marriages.  A dud of an ending did put a damper on things though.  Nevertheless, I enjoyed it enough to give it:

3.5 stars out of 5

Mao’s Last Dancer (2009)

I had been meaning to watch this one and read the book on which it was based for quite a while, but somehow had done neither.  I finally got the chance to see this inspirational biographical film about Li Cuxin, a guy from a poor rural family in China who was selected to learn ballet and eventually became an international superstar, though it came at the cost of ‘betraying’ the country he was from.

Very amazed that this was an Australian production (even though it features predominantly international stars) because it was quite well made, if not a little heavy handed at times.  The thing that impressed me the most was that they managed to find two Asian actors who not only resembled Li Cuxin, but could also perform ballet, speaking English and Mandarin, and most of all, act.

This was probably one of those feel-good melodramas that I liked more than I should have because I love the true story so much.  And this is coming from a guy who absolutely does not ‘get’ ballet.

Li Cuxin’s youthful naievete, his courage and his resolve were really brought out in this film, which was at times infuriating but ultimately triumphant and inspiring.  This is one film I would recommend to people who want/need a kick to start pursuing their dreams — only, of course, if you are a hardcore Communist, because this film felt like a propaganda (or should I say anti-propoganda) film far too often.

3.75 stars out of 5


Let Me In (2010)

The Swedish original, Let the Right One In, is right up there as one of the best films I saw last year, and one of the best horror films I had seen in a long time (my review here).

And so it was with some trepidation that I approached the obligatory American remake, directed by Matt Reeves (Cloverfield guy) and starring Kodi Smit-McPhee (The Road) and Chloe Moretz (Kick Ass).

It’s kind of hard to review a remake when you have seen the original, but I did my best to approach Let Me In as a standalone film and judge it on its own merits.  I’m not sure if I succeeded or not, but nevertheless, I still found it to be a superior horror film — perhaps not as good as the original, but good enough to potentially blow away people who haven’t seen the Swedish version.

Set in New Mexico, the plot closely mirrors the original (of course, though Reeves said this was a remake based on the book, not the Swedish film), though it’s not a shot-for-shot remake as some have claimed that it is close to.  Smit-McPhee is Owen, the bullied boy who finds a friend in the strange and mysterious Abby (Moretz), who is not what she seems.  The two strike up an unlikely friendship/romance that will chance both their lives forever.

The two leads do have good chemisty, and as expected, the Hollywood version is slightly quicker in pace and more explicitly viceral in terms of scares.  It’s a fine horror film in its own right (though not a classic like the original), but I was sorely disappointed that they took out the scariest scene in the Swedish film (the ‘cat’ scene).

4 stars out of 5

30 Days of Night: Dark Days (2010)

I thoroughly enjoyed the first 30 Days of Night, the one with Josh Hartnett and Melissa George, about a bunch of people stuck in an Alaskan town for 30 days without sunshine while vampires roamed the streets.

This straight-to-DVD sequel is a much smaller and less ambitious production, using lesser known actors (Kiele Sanchez, Stephen Huszar) to replace the stars in the same roles.  It continues about a year after the first film ended and follows Stella as she tries to overcome the grief from her husband’s death and somehow ends up in LA, where she finds herself fighting off a whole new network of vampires.

There’s a good reason why this one went straight to DVD — it’s your run of the mill, bloody, gory, uninspiring vampire romp with B-grade actors and lots of guns — but not a whole lot of genuine tension or thrills.  It’s adequate for what it is, but best to keep your expectations in check if you were a fan of the first film.

2 stars out of 5

There’s still more movies — Part IV to come shortly!

Movie Review: The A-Team (2010)

August 3, 2010 in Movie Reviews

To be perfectly honest, I didn’t know much about the 80s series The A-Team upon which the new film of the same name was based.  I was familiar with Mr T, and my old boss had once referred to our particular team for a large legal transaction as “the A-Team” (apart from me, there were two other lawyers — one was a sexual deviant and the other was nicknamed “Freakshow” for his horrible BO, saliva spraying, flaky dandruff, and body hairs poking out of missed button holes), but that was the extent of my knowledge.

This new “A-Team” features Liam Neeson (how can you not like a guy who played Oscar Schindler, Qui-Gon Jinn and kicked serious butt in Taken?) as their leader “Hannibal”, rising star Bradley Cooper (The Hangover) as the slick “Face”, Sharlto Copley (District 9) as “Howling Mad” Murdoch, and MMA fighter Quinton “Rampage” Jackson as BA Baracus (the new Mr T).  These four dudes somehow come together and become extremely close (in condensed off-screen time), blowing things up and making wisecracks while they save the world from corrupt government officials and counterfeit money plates.

The A-Team is what it is.  An all-out, over-the-top action movie with a bunch of cool, wacky guys, a few rather tame/lame jokes, a couple of twists and turns in the plot, and lots and lots of explosions.  It starts with a bang and never lets the foot off the pedal.  Fun and exciting?  For the most part.  Engaging and riveting?  Not exactly.  As far as action movies go, I suppose it could have been a lot worse, but this was definitely no classic.  However, if you just want a couple of hours of light entertainment, The A-Team is actually quite up to the task.

Since I don’t know about the original there’s nothing to compare them to, but I think the chemistry is largely there for this crew.  I would say Jackson, not being a career actor and all, was the weakest link of the foursome.  He just looks uncomfortable out there churning out those lines.

To me, it was the villains that stole the show.  Patrick Wilson (super underrated actor) gets a pretty meaty role as a nasty but inept CIA Agent and seems to really enjoy being a douche, whereas Brian Bloom (I’ve seen him in Dollhouse and a bunch of other TV shows) unexpectedly excels as the evil private security dude.

On the other hand, Jessica Biel received a rather thankless role as the helpless agent on the side slash love-interest.  She was looking slim and pretty but that was about it.

Considering the “average” reception of the film at the box office, whether a sequel will be forthcoming remains to be seen.  In some ways The A-Team failed to live up to expectations because of the popularity of the original TV series, but in other ways it exceeded expectations because most people thought it would be complete trash (but it’s not).  Keep your expectations in check and go along for the ride.

3 stars out of 5