21 Jump Street (2012)
You can be forgiven for thinking that a movie version of 21 Jump Street, the iconic 1987 TV series that made Johnny Depp a star, would be lame. Few movie reboots of old TV series are successful for a multitude of reasons. But this one, starring Jonah Hill and Channing Tatum, is a surprise hit — mainly because no one actually expected it to be funny.
Strictly speaking, 21 Jump Street is not a reboot of the TV series at all. It’s more of a homage/spoof that takes the basic concept of police officers going undercover as students to catch bad guys and drug dealers. Hill, a geek, and Tatum, an underachieving jock, are high school classmates who become best friends at police academy. They are idiots but look kind of young (well, Hill at least) and are assigned to the “revived” division at 21 Jump Street to go undercover as brothers, though a mix-up has them picking up each other’s assigned identities.
The reason the film works so well, apart from the amazingly effective chemistry between Hill and Tatum (whose acting isn’t all that bad here), is because it doesn’t take itself seriously and delivers much amusement making fun of the whole ridiculous premise and idea.
One of the running gags, for example, is that Tatum used to know what was cool 10 years ago (such as how to wear your backback, how to treat people and issues), but now those things are frowned upon. Another one is how old Tatum looks to be a high school student. Stuff like that.
Not all the jokes worked for me but enough of it was consistently funny for this to be one of the better comedies of the year. The film also had some excellent surprises, especially towards the end, although as usual the running time of 109 minutes felt like it dragged on a little past its welcome. A sequel, 22 Jump Street, has reportedly been green-lit, but I am sceptical that it can rekindle the magic the second time around.
4 stars out of 5
Contraband is a crime thriller starring Mark Wahlberg, Kate Beckinsale and Ben Foster. Marky Mark is an ex-smuggler who has given up the rough life for the sake of his wife (Beckinsale — can’t blame him) and two kids. But his brother-in-law is still in the game and gets in trouble, and Marky Mark becomes embroiled in the mess and has to go to extreme measures to keep his family safe.
Contraband dark, it’s moody and it’s violent, but it also comes across as generic and average. There’s nothing wrong with it, but it just feels like there are so many of these types of movies every year and after a while you just can’t remember anything about it. To be fair, the plot is intricate and well thought out, though I found it unnecessarily convoluted. But the core problem is that there’s not much to make Contraband stand out from the rest of the pack.
Marky Mark has done what feels like a dozen similar roles and feels exactly the same as he does in those films, and Kate Beckinsale is somewhat underused. Ben Foster is effective with his trademark wide-eyed maniac routine, and the supporting cast of Giovanni Ribisi, Lukas Haas and JK Simmons is solid. But the performances can’t save Contraband from being the forgettable film that it is.
2.5 stars out of 5
The Grey (2011)
I wanted to watch The Grey because I like survival thrillers and I wanted to watch Liam Neeson punch a wolf in the face.
Neeson plays a depressed, suicidal dude who protects an oil drilling team from wolves in Alaska, and on his way out of there their plane crashes. They are in wolf territory and he must lead the survivors (including a virtually unrecognisable Dermot Mulroney) to safety. Time for Liam Neeson to channel his inner Bryan Mills (Taken), Ra’s Al Ghul (Batman Begins), Zeus (Clash of the Titans), Qui-Gon Jinn (Star Wars), John “Hannibal” Smith (The A-Team) and Oskar Schindler (Schindler’s List).
Over the last few years, Liam Neeson has emerged as the one dude you never want to mess with, and that applies to wolves too. The Grey is a solid survival thriller that has plenty of close calls and Neeson doing what he does best. Many have compared it to the 1997 film, The Edge, starring Anthony Hopkins and Alec Baldwin, which is about surviving a bear in the woods. I think The Edge is probably the better film, but The Edge doesn’t have Liam Neeson. Strangely, another film it reminded me of was Frozen, a 2010 survival horror about a bunch of kids stuck on a ski lift and then being hounded by wolves.
One problem I had with The Grey was all the philosophical and religious mumbo jumbo that was probably trying to add for meaning to the film but for me just slowed it down unnecessarily and disrupted the tone. The ending was also a little anti-climatic, though there is a nifty little post-credits scene everyone should stick around for.
3.5 stars out of 5
PS: I know technically this is a 2011 film but it was released in 2012 in most places I know.
The Cold Light of Day (2012)
If you want to be mean about it, The Cold Light of Day should have been a straight-to-DVD movie. If it had been, the film probably wouldn’t have gotten such scathing reviews.
I suppose this was a star vehicle for Henry Cavill, who would go on to become Superman. Cavill plays Will Shaw, a struggling advisor who doesn’t get on too well with his dad, played by Bruce Willis, who unbeknownst to him is actually a CIA agent. Will’s family suddenly disappears after an boating incident, and when he tries to track them down he finds himself in mortal danger as shady characters start coming after him.
The pace of the film is frantic but for some reason there is little excitement or a sense of real danger. Cavill runs around, gets shot at and must do everything he can to survive while trying to figure out what the heck is going on. It’s one of those films where a lot happens but everything feels bland, lifeless and cliched. I could stomach the stupidity of it all but when an action film starts to bore you know something is seriously wrong.
Cavill looks pretty good but he struggles mightily trying to carry the film. I presume Bruce Willis picked up a nice paycheck for this movie but that was about it. The man has become a walking caricature of himself. And Sigourney Weaver…sigh…I don’t know what’s happened to her but this is a performance that lines up nicely next to her role in that Taylor Lautner movie, Abduction.
Having said all that, The Cold Light of Day is not that bad, and certainly better than the 5% it got on Rotten Tomatoes. It’s just a fairly average B-grade movie that wasn’t supposed to be one.
2 stars out of 5