I’m just going to come out and say it. I think Horns is awesome. It’s weird and surreal, and it’s a little all over the place, but it’s also original, devilishly twisted and wickedly funny.
Daniel Radcliffe stars as Ignatius “Ig” Perrish, a young man who has been shunned by his small town after being fingered as the prime suspect for the rape and murder of his lovely girlfriend Merrin (Juno Temple). One morning, Ig awakes with two horns protruding from his head. He has no idea where they came from and he can’t get rid of them, but there’s clearly something supernatural about it all because the horns seem to come with certain powers — powers he will exploit in an effort to clear his name.
The story is based on the novel of the same name by Joe Hill. Some of you might not know this, but Hill is Stephen King’s son, and he displays a lot of the same wicked sensitivities as his old man. The central idea of the film may start off as a gimmicky concept, but Hill manages to infuse the tale with a sharp satirical edge and plenty of dark humour to firmly distinguish himself from his old man.
The film has received mixed reviews from critics largely for its tonal inconsistencies, and I agree to some degree. It has been marketed as a horror, though it also has elements of comedy, fantasy, family drama, mystery and romance. You could even call it a part-religious satire or allegory for the way it takes on religion and religious symbolism. Either way, the shifts in tone are far from seamless, and as a result viewers could find themselves questioning what the film really wants to be and what it is trying to say.
For me, Horns is first and foremost a black comedy because its hilarity is what stands out the most. I laughed more times in this movie than pure comedies I’ve seen in years, though that might say more about my twisted sense of humour than anything else. The film does become less funny and more dark as it nears its conclusion, but for me it will always be a black comedy at heart. And besides, there are very few attempts to scare the audience for the first three-quarters of the film, and even when it started veering into horror I found it more unsettling than frightening.
I can’t think of another film quite like it. The one that pops up in my mind, strangely, is Jennifer’s Body (the Megan Fox and Amanda Seyfried flick from 2009). That one was sexier and much scarier, but it has the same type of twisted, surreal tone and satirical wit.
Director Alexandre Aja has a bit of a mixed-bag career — he rose to stardom with Haute Tension in 2003 and did a fine job with the 2006 remake of The Hills Have Eyes, though he followed those efforts up with the clunky Mirrors and the campy Piranha 3D. In my opinion, Horns may actually be his best film to date.
Daniel Radcliffe has been busy trying to reinvent himself since Harry Potter ended, starring in a range of flicks from The Woman in Black (straight horror) and Kill Your Darlings (biographical drama) to The F Word (rom-com). Horns is arguably his most daring post-Potter venture to date, and I also believe it’s likely the best performance of his career — and that’s even with him putting on an American accent. Radcliffe is proving himself to be one of those rare actors who couldn’t act for shit as a child but has gradually developed into a quality thespian with a bright future ahead of him.
The rest of the cast is not too shabby either. Even though she’s supposed to be dead, Juno Temple appears more than you’d think through flashbacks, and she does a fine job of convincing audiences that she’s someone all the boys in town would pine for. Max Minghella is solid as the best friend-slash-lawyer, while Joe Anderson plays the quiet brother. Veterans such as Heather Graham, Kathleen Quinlan and David Morse round out the impressive ensemble.
My main problem with Horns is not the tonal inconsistencies, but rather, the predictable nature of its central mystery. Maybe it’s just me, but I figured out the real killer about 10 minutes into the film. Fortunately, there were plenty of other little curve balls and surprises to keep the film intriguing for the remainder of its 2-hour running time.
The best black comedies always say something about the darkest aspects of human nature. Horns is about our constant judgments of others. It’s about living up to the image we think society has carved out for us. It’s about the hypocrisy of thinking one way and saying or doing another. It’s about selfishness and self-preservation. That’s why I think it is a stroke of genius for Hill to bring out all of these nasty sides of human nature in a story about a guy demonized by his community appearing to be literally turning into the devil, and to do it in such an original, twisted, and intentionally unsubtle way.
And so, despite recognizing its flaws, I had an absolute blast with horns. I think it is a unique genre-bender and one of my Darkhorse favorites of the year.
4.25 stars out of 5