Movie Review: Taken 3 (2014)

January 26, 2015 in Movie Reviews, Reviews


I’m not quite sure if this is the right way to express it, but my soft spot for the Taken franchise is…getting hard?

Look, I knew Taken 3 was more of a cash grab than a genuine attempt to rekindle the magic of the original, one of the best action films of the last decade. Taken 2 was largely an over-the-top failure with some decent moments, but at least it tried. Taken 3, on the other hand, has more or less become an unintentional parody of itself.

The beauty of Taken was in its remarkable simplicity — a relentless man with a very specific set of skills sets out to find the man who took his daughter, and kills him. Taken 3, however, has reverted to a fairly typical murder-mystery in the vein of (well, more like ripped right out of) The Fugitive, where Bryan Mills (Liam Neeson) is set up for the murder of a loved one and must find the killer before the police — headed by a sleepier-than-usual Forest Whitaker — catches him.

The action is never really the problem with Taken 3.  Director Olivier Megaton, who was responsible for Taken 2, gives us plenty of car chases, shootouts and hand-to-hand combat scenes, most of which are executed rather well (with some caveats I will get to). Liam Neeson is still capable and relentless, but at 62 he has clearly lost a step, making Bryan Mills by far the most vulnerable we’ve seen him. Fortunately, he is still a regular Houdini and somehow manages to escapes certain death at least a handful of times in this film without incurring anything more than a couple of temporary scratches.

The big problem with Taken 3 is that the portrayal of the action is heavily muted for classification purposes. When audiences watch Bryan Mills they want to see swift brutality. The blood is almost expected. In Taken 3, the violence is rapid cuts at the point of impact and cutting away when the “good stuff” is about to happen. People get shot and stabbed, but we don’t actually get to see any of it. The result is a strangely unsatisfying experience that takes away a lot of the visceral thrills from the original.

The rest of the film doesn’t offer much. The script, penned by Luc Besson and Robert Mark Kaman (who collaborated on the two earlier films), is truly horrendous, complete with dialogue that will make you shudder with embarrassment. Gaps in logic and common sense fails are all over the place, and I’m not even just talking about typical instances where bad guys conveniently spare lives and give the good guys opportunities to turn things around — though that happens a lot too.

And Maggie Grace’s character, Kim Mills, continues to be such an annoying, grating BIATCH that it horrifies me to realise that her father would go to all these lengths to protect her. I was secretly hoping that she would get killed all throughout the movie — which actually would have been awesome because it would have set Bryan on a historic rampage. Alas, it wasn’t meant to be.

At 109 minutes, the film is far too long as well, especially when you consider that Taken was a perfect 90 minutes and Taken 2 was a manageable 98 minutes. It’s as though the makers of Taken 3 have gradually stripped away everything that made the original Taken a classic and replaced it with conventional Hollywood action cliches.

Having said all that, if you are a fan of the franchise because of the first film like me, then you might still find Taken 3 to be acceptable. It’s essentially just another average Hollywood action-thriller being carried by the goodwill of the original and its familiar, iconic protagonist. For some, that might be reason enough to watch it.

2.75 stars out of 5

Movie Review: Hansel and Gretel: Witch Hunters (3D) (2013)

February 7, 2013 in Movie Reviews, Reviews

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I’m not sure what spell I was under that made me go and see Hansel and Gretel: Witch Hunters, the latest instalment to the fairytale/historical ‘reimaginings’ Hollywood loves so much nowadays. What’s worse, this film was forced upon me in 3D, with no non-rip off 2D versions available anywhere (as far as I could find, anyway).

The premise is simple: Hansel and Gretel (Jeremy Renner and Gemma Arterton), the brother and sister from the classic Grimm fairytale, after killing a witch as per the story, grow up to become adult witch hunters. Bet you didn’t expect that!

The famed duo take their witch-killing talents to a small village where small children have been missing, and agree to help the mayor find the kids and slay the nasties, much to the disdain of local sheriff (Peter Stromare).

What ensues is a lot of witch hunting and fighting against the head nasty (Famke Janssen) and her minions. In 3D.

If you’re in the mood for something silly, you might enjoy Hansel and Gretel’s adventures. I, on the other hand, failed miserably to engage with this film despite not expecting a whole lot in the first place.

I suppose the aim of the filmmakers was to create something that people would think is cool (killing witches), make it a little scary and a little funny, and add a dash of money-grabbing 3D. But the problem was that the film was not very funny or very scary. Sure the witches looked nasty, but they were more comical (in a bad way) than frightening. And the majority of the humour lacked punch and came across as fairly lame. There really wasn’t anything that made this film stand out from other similar efforts.

Gemma Arterton does her best but Jeremy Renner, Academy Award nominee, looked like he was just there for the money. Plus he has the least suitable face for a fairytale in probably all of Hollywood — he just looks too…modern.

Another major gripe is the action, which had little originality and was plagued by rapid cuts that made it difficult to figure out what the heck was going on at times. Throw in the arbitrary, annoying and pointless 3D, and what you have is an uninspiring, all-round mess.

1.75 out of 5

Movie Review: Taken 2 (2012)

October 21, 2012 in Movie Reviews, Reviews

The moral of the story is simple: don’t f*&% with Liam Neeson.

After getting a thorough ass-whooping in the first film, which I declared was one of the best action films of the past decade, those pesky Albanians did not learn their lesson. The father of one of the human traffickers wanted revenge, and he was going to make Bryan Mills pay with a lot more inept henchmen. Bad idea.

I may sound like I’m teasing, but I actually enjoyed Taken 2 a lot. It was impossible to live up to the original anyway, which surprised just about everyone with its brutal efficiency and the total badassness of Neeson’s Mills, a former CIA operative who can kill you in just about every way imaginable. True, Taken 2 is a lazy and completely unnecessary sequel that is even more far-fetched than the original, and let’s face it, was made with only $$$ in mind, but it still manages to thrill by re-captivating some of the magic of the original.

The premise ofTaken 2 is about as unimaginative as it gets: the father of the dude whom Mills electrocuted in the first film in Paris promises to avenge his son’s death. Mills is in Istanbul for freelance security work and is visited by his ex-wife (Famke Janssen) — who is conveniently having “problems” with her second husband — and their daughter (Maggie Grace, who is surprisingly convincing as someone young enough to be going for her driver’s licence). Nasty henchmen try to “take” them all (and succeeds with two of them, hence Taken “2” — get it?), unleashing the killing machine in Mills once again.

Taken 2 steals shamelessly from its predecessor without really attempting to do anything new or different. Liam Neeson shows off some incredible secret agent brains in addition to killing enemies with guns, melee weapons and his bare hands, and Maggie Grace has a much larger role, but that’s about it. Director Olivier Megaton (surely that cannot be a real name), whose previous efforts include Columbiana and Transporter 3, replaces Pierre Morel, but I didn’t really feel that much of a difference in style. There are gun fights, hand-to-hand combat and car chases galore, all of it happening at break-neck speed after the predictable initial set-up.

The script, written again by Luc Besson and Robert Mark Kamen, is lazy — there’s no way to deny that. It assumes we know what Bryan Mills is and what he and has family have been through, and character development is essentially provided through flashbacks to the first film. The bad guy is pretty pathetic and is driven only by revenge, but at the same time he has some strange reasons for not wanting to kill Mills when given the opportunity. The Albanians also sometimes speak to each other in what I presume is Albanian, and at other times in English with Eastern European accents — none of it makes much sense.

But on the other hand, there’s nothing quite like watching the captivating Neeson — who is 60 years old in real life, by the way — run around beating up and killing a whole bunch of bad guys. It’s brainless entertainment but it’s fun and exciting while it lasts.

In other words, if you enjoyed Taken, there’s a good chance you’ll enjoy parts, or at least elements, of Taken 2. It’s no secret that the film was cashing in on the success of the original, which is vastly superior in every way, but watching Liam Neeson go on a rampage for an action-packed 91 minutes is still preferable to the majority of action films these days.

3.5 stars out of 5!

PS: If there is going to be a third film, which is highly possible given the loose ends in the script, I’ll definitely be watching.