Safe House (2012)
Denzel Washington plays an ex-CIA operative who turns rogue and becomes an international criminal who, unsurprisingly, appears to be more than meets the eye. Ryan Reynolds plays a low-level CIA agent who is tasked with looking after Denzel when the latter is captured and brought to a South African safe house (hence the title. Disaster strikes, and Reynolds is thrust into a dangerous situation in which he must figure out who he can trust in order to discover the truth behind everything.
It’s the type of basic premise we have seen dozens of times before (albeit with slight variations) — where a decent but relatively inexperienced guy out of his depth is paired with a slick professional and there is a big conspiracy waiting to be unveiled (is this considered a huge spoiler?).
I don’t mind these movies per se, but I’m a bit sick of the whole “Denzel is so cool” routine we seem to be getting in just about every film we see him in these days. You know, charismatic, super cool under pressure, extremely gifted in firefights and hand-to-hand combat, acts like he doesn’t give a crap about anything but cares deeply about doing the right thing in accordance with his own principles. As for Reynolds, I’m assuming he just played exactly the same type of character in RIPD (which I haven’t seen yet but will).
Look, Safe House isn’t bad — there’s intensity, action, suspense and a few semi-predictable twists here and there — but there is nothing that makes it memorable or stand out. In fact, I had forgotten a lot of the details and had to give myself a little refresher on YouTube and Wikipedia just to write this review. The performances are solid, but I didn’t like how the action sequences were edited with those quick, choppy cuts that prevent you from seeing exactly what is happening.
On the whole just an OK thriller that fails to live up to its full potential despite Denzel and an all-star cast that also features Vera Farmiga and Brendan Gleeson.
2.75 stars out of 5
The Perks of Being a Wallflower (2012)
I swear I still intend to get to the acclaimed book on which this film is based, written by Stephen Chbosky. I’ve heard so many people rave on about the book that it would be an injustice for me to ignore it. Interestingly, the film version is directed by the author, who wrote the screenplay as well. Usually it’s a recipe for disaster to place so much of a story in the hands of a single person, but in this case it was complete justified because The Perks of Being a Wallflower turned out to be one of the best coming-of-age movies I’ve seen in a long time.
Charlie, played by Percy Jackson‘s Logan Lerman, is a high school freshman dealing with a traumatic loss from the year before. Shy and withdrawn, he is a wallflower, someone who observes but is never really part of the story — until he meets step-siblings Sam and Patrick, played by Emma Watson (Harry Potter) and Ezra Miller (We Need to Talk About Kevin), who accept him as part of their group.
Without going into too much more detail, this is a story about the loss of innocence, friendship, falling in love, loyalty, betrayal, and all those things many of us go through as we grow into adults. With full control over the material, Chbosky delivers an extremely genuine and heartfelt story told through a sensitive and delicate lens that I’m sure will be easy for many teens to relate to and conjure up a deep sense of nostalgia in adults. It’s hard to explain except to say that I connected with this film more than I thought I would and that I fully believed in the story from start to finish. Yes it is sentimental in parts but not overly so.
I’m astounded that Chbosky has only previously directed one other film, in 1995. The tone and atmosphere he creates in The Perks of Being a Wallflower is masterful and reflects just how in command of the material he is. He must also be credited for eliciting the best performances I have ever seen from Logan Lerman and Emma Watson. Let’s face it, Percy Jackson and The Three Musketeers are not the best films for a thespian to show off their acting talents, but Lerman is unbelievably believable as the mild-mannered Charlie who is immediately likable but is also clearly holding onto something that prevents him from opening up. Your heart goes out to him. The only complaints could be that he is not quite young-looking enough to pull off a freshman or that he is too good looking to play such a loner.
As for Emma Watson, wow. I always thought she was the most talented out of the Harry Potter trio, but here she completely sheds the shackles of Hermoine and gives us the best performance of her career. The same can be said for Ezra Miller, whom I thought would forever be trapped in my nightmares as the horrific Kevin (from We Need to Talk About Kevin, one of the best movies of 2011). Here he is a completely different character as the giddy and affable Patrick and totally made me forget that he butchered a bunch of kids in his previous role.
In some ways, The Perks of Being a Wallflower might oversimplify or even glamorize some difficult issues in adolescent life, but for me it’s a small flaw in an otherwise brilliant motion picture.
4.5 stars out of 5
PS: I’m almost doing The Perks of Being a Wallflower a disservice by reviewing it as part of a four-film movie blitz, because it deserves a solo review of its own. But I am lazy and I can’t be bothered.
A stylish crime drama of intersecting subplots that feels strangely complicated but is actually very straightforward.
Eric Bana and Olivia Wilde play a pair of siblings on the run after a casino heist has gone horribly wrong. For some reason they must split up so they could reach their goal of making it across the Canadian border under blizzard conditions, kicking off a string of violent events and coincidences that eventually all comes to a head in a climatic flurry. The film is powered by an A-list cast that also features Charlie Hunnam (Pacific Rim), Kate Mara (House of Cards), Kris Krisofferson, Treat Williams and Sissy Spacek.
I found Deadfall a difficult film to grasp because it seems to be moving along confidently, taking the audience in several directions seemingly without aim, but there is actually an underlying strategy all along to pull all the strands together by the end. But at the end of it all, I said to myself, “Is that it?” Despite the intrigue, I was left wondering what the fuss was all about.
That said, I was engaged and kept wondering what was going on through the majority of the 94-minute running time. I suppose you could call it dark, character-driven film, but then again I didn’t really care for any of the characters. Could it be described as a B-grade movie masquerading as an A-grade movie because of its sound technical efficiency and the super cast? I dunno. I can’t decide whether I liked the film, disliked the film, or if I am just indifferent about it. Meh.
2.5 stars out of 5
Seeking a Friend for the End of the World (2012)
Every now and then comes along a really interesting idea for a movie and the execution is nearly good enough to pull it off, but for whatever reason just doesn’t quite get there. Seeking a Friend for the End of the World, starring Steve Carrell and Keira Knightley, is such a film. It starts off brilliantly and has its fair share of genuine laughs and oddly comical moments all the way through, but unfortunately it loses steam halfway through and drifts towards a rather disappointing final act.
The film starts off with the announcement that the world, as we know it, is coming to an end. A giant asteroid is coming to Earth and there’s no Bruce Willis to save us. With just three weeks until impact, the world is understandably flipped into chaos (with drugs and suicides and looting and guilt-free sex dominating), but at the same time there are many lost and lonely individuals out there who have no idea how they are going to spend the last few days of their lives. Steve Carrell, whose wife leaves him in the opening scene, is one of them, until he meets Knightley, who had just broken up with her boyfriend and has no chance to see her family in England one last time.
Seeking a Friend could be described as a road trip comedy-drama, but it’s really a fascinating imagining of how the world would react if everyone thought they had just days to live. Would you keep working in your job because you have nothing else better to do? Or would you stay with family and go have beach BBQs all day? Or will you go crazy and break every law you can think of, just for the sake of it? A lot of the things depicted in this film, as random and outrageous and hilarious as they are, strangely ring true. I laughed often and hard, especially early on.
I’ve never been a big fan of either Carrell or Knightley, so I was shocked to discover that I really liked both of them in this. Despite the age gap (51 to 28), they had a comfortable rapport and a sweetness to them, and the resulting banter was sharp and clicking.
However, perhaps feeling like it cannot be a pure comedy with no emotion (given it is the end of the world, after all), the film starts to become more personal and begins venturing into light melodrama, regretfully sucking out its earlier charm. The closer it got to the end, the more flat and uninteresting things got. Some of the attempts are indeed poignant, but frankly I just wanted more laughs.
3.5 stars out of 5