I wasn’t as fanatical as most others, but I admit I quite liked the first Pitch Perfect. It was easy to like, with a soundtrack full of catchy, classic tunes, witty, irreverent humour and a brilliant cast led by the lovely Anna Kendrick and fan-favourite Aussie Rebel Wilson.
The film’s smashing success meant an inevitable sequel was forthcoming, and I remember thinking upon hearing it had been green-lit that the chances of Pitch Perfect 2 being as good as the original were zero.
And of course I was right. Notwithstanding that I really wanted to like it and despite it being perfectly acceptable fun, Pitch Perfect 2 was just a notch or two below its predecessor in every department. The “wow factor” of the A capella is mostly gone, the jokes are less funny, and the cast doesn’t have the same life to it, even with the addition of the talented Hailee Steinfeld.
Was it bad? No. Was it good? I suppose so. Ultimately, the reaction that best sums up my feelings about the movie is a shrug and an “OK.” It was a sequel that didn’t have to be made but got made because of money, and everything about it reflected that. It has its moments, but by and large it’s exactly how you would expect a sequel like this to play out: bigger stage, higher stakes, new conflicts, and a dash of fresh blood.
Since winning the national title three years ago, the Bellas are now three-peat champs. The predictable fall from grace happens very early on, and from there the Bellas need to start over and aim higher at the same time by entering into an international competition where they are pitted against the best of the best, including a campy and nasty German juggernaut. The Bellas argue, they bond, they have relationship troubles and setbacks along the way, before eventually coming together for the finale.
This time the film is directed by Elizabeth Banks, who also reprises her role as commentator Gail alongside the legendary John Michael Higgins’ John Smith. Banks has a good eye and ear for comedy, and she infuses the film with a light mood and a sweet tone (pun intended), though there’s nothing particularly flashy about her execution.
Anna Kendrick and Rebel Wilson are still really good, but both are less funny than last time. In fact, everyone is just a little less funny than last time. There were lots of politically incorrect jokes — be it about race or nationality or fat people — which I ordinarily love, by the way, though for some reason it’s not as punchy and laugh-generating as it should have been. Maybe you just need to be in the right mood for the comedy to hit the same high notes.
Don’t get me wrong, I still enjoyed Pitch Perfect 2 as a whole relative to most other musicals or comedies. I guess it’s slightly better than I had expected but not as good as I desperately wanted it to be, even though I knew that would be the case. Still, that means this formulaic, by-the-book sequel is probably good enough for its target market: fans of the original and audiences satisfied with some stylish singing and dancing, a bit of light humour, and familiar characters doing familiar things.
3 stars out of 5