Note: Huge shoutout to Sydney artist Hubert Widjaya for providing the wonderful artwork for this post. See below for a casual chat we had about the film following my review.
I’m not ordinarily a fan of musicals, especially ones that look like they are riding the wave of a popular trend to make a quick buck at the box office. But as it turned out, Pitch Perfect was one of the my biggest surprises of 2012, and I must admit that I was completely wrong to prejudge the film as simply a two-hour episode of Glee.
So what made Pitch Perfect so good? It had a formulaic premise — a new girl, played by Anna Kendrick (Twilight, Up in the Air, 50/50, End of Watch — she’s obviously killing it right now) joins an all-girl a cappella group full of misfits and leads them against a rival campy all-boy group in a battle to capture the national title. It was also a little hit and miss at times, as most comedies involving teens and college students can be.
But Pitch Perfect was funny — very funny, and unexpectedly so. Full credit to director Jason Moore (former TV director) and screenwriter Kay Cannon (who worked on 30 Rock — that explains a lot) for making the humour dry, quirky and satirical, without overstepping the mark (for the most part).
Massive kudos to Aussie Rebel Wilson, who appears to be conquering Hollywood with one scene-stealing role after another. Here she plays Fat Amy, easily the standout character of the whole group and the provider of the best laughs. The rest of the cast, which includes Skylar Astin (Spring Awakening), Anna Camp (The Help) and Brittany Snow (Hairspray), as well as the always welcome Elizabeth Banks and John Michael Higgins, were also all very good.
Oh yes, and the singing. I was pleasantly surprised by how excellent it was, especially considering much of the main cast, as far as I know, aren’t known for their vocal cords. I’ve only ever heard bits and pieces of Glee but it was easily just as good as any of the singing in that.
Singing is, of course, just half of the equation. What made Pitch Perfect a real treat for me was the classic songs covered by the singers. If you grew up in the 80s and 90s, you’ll find yourself nodding along to the Bangles, Ace of Base and the theme from The Breakfast Club, among others, many of which are given fresh interpretations or mixed with more recent hits to form catchy medleys.
While you’re likely to forget about Pitch Perfect in a couple of years, you’re also likely to have a great time while watching it. I certainly did.
Conversation with HW:
PJM: Are you a fan of Glee? Chances are, Pitch Perfect is an attempt to cash in on the success of Glee, which I thought would have been a recipe for disaster, but I think they pulled it off. What did you think?
HW: Haven’t seen Glee. Judging by the ads Glee looks like its aimed at a girly/female audience, whereas Pitch Perfect had a streetwise chick vibe — which is why I saw it. It solidly lived up to expectation. Great one liners and natural performances.
PJM: Who were the standouts for you?
HW: I have only seen Rebel Wilson in this, but can see why she’s popular. She has a sweet but dirty vibe, and isn’t forcing her charisma, which she does apparently in Bridesmaids. Anna Kendrick though is a standout; she brings the heart, and sweet emotional center to what could have been a low-brow teen flick. In fact, it loses a star for two ill-judged vomit scenes. Like they were trying to appeal to teen boy market.
PJM: I never expected Anna Kendrick to have such a great set of pipes.
HW: You’ve raised a good point. Do you know if they all sing for real or if it’s dubbed?
PJM: I understand it’s all real voices but recorded in the studio. It’s not live like in Les Miserables.
PJM: How does this film compare to other musicals you’ve seen in recent years, if any?
HW: Only really seen Chicago I think at the cinema, but that was brilliant too. Pitch Perfect was almost like two forms of entertainment for the price of one. A movie and entertaining songs within. Where does it lose marks for you?
PJM: It’s not really losing marks as opposed to not gaining marks. Some of the jokes were a little hit and miss and enjoyment depends on your musical tastes. It’s a good film for people who grew up on the classic songs they sing but have not given up on more modern hits. So what would you give it out of five?
HW: A solid, sing songy 4 stars.
PJM: Me too. 4 stars out of 5.