Aussie movies, yay! I have been a bit of a dick when it comes to Australian movies for most of my life, but I have started to come around in recent years following a string of impressive efforts that have made the rest of the world take notice.
The latest Australian film to be a hit with the critics is These Final Hours, an apocalyptic drama about the moments before a natural disaster wipes humanity off the face of the Earth. It is great to see Aussie filmmakers take on something a little different and ambitious, and to have the skills and actors to pull it off. Even though not everything in this film worked, it is without a doubt one of the better end of the world movies I’ve seen in recent memory.
The story focuses on a young man in Perth named James (Nathan Phillips) as he struggles to cope with impending doom. At the beginning of the film we are told there’s about 12 hours before the catastrophe hits Australia’s west coast, though the majority of the plot focuses on the final 5.
It’s a character-driven film that succeeds because it explores a small sample of human reactions rather than something too broad to cover. There are scenes that suggest the budget is not that small, so it appears to be a conscious decision to keep the story small scale and personal. It does a good job of asking what you would do if the end was near. Would you confront it head on? Spend it with family? Get trashed? Party? Have sex? Kill yourself? Kill others? Or just go crazy?
These Final Hours tackles all these various possibilities with an observant eye and a sensible amount of realism and practicality. For the most part, it doesn’t over sensationalize things, nor is it too subtle for the impact to be felt the way it needs to be. There are some confronting scenes but none of them feel exploitative.
The primary catalyst for James’s character development is the young girl (Angourie Rice) he meets along the way. It was quite obvious where they were heading with the story once James runs into her — you know, the clichéd flawed guy minding his own business becomes a reluctant hero scenario — though to the credit of writer and director Zak Hilditch does a good job of keeping the narrative tight and intense for the film’s 97-minute running time.
The dialogue is OK — it’s effective at times but too scripted and melodramatic at certain moments. The ending also left a “that’s it?” taste in my mouth. Still, the film is pretty good when put in context, but to be honest it’s nowhere near deserving of the overwhelming praise from critics and the 89% rating on Rotten Tomatoes. It is, however, probably a sign of good things to come. Jessica De Gouw, who has a supporting role in the film, is starting to earn a name for herself on the TV series Arrow and Dracula, while Sarah Snook, an extended cameo in this one, is on the rise after receiving deserved acclaim in the horror flick Jessabelle. Perhaps this can be one of those films we look back on as a turning point for many successful careers.
3.5 stars out of 5