Movie Review: Thor: The Dark World (2013)
I liked the first Thor movie more than I expected thanks to the crafty direction of Kenneth Brannagh and the performances of Chris Hemsworth and Natalie Portman, which struck the right balance between fantasy and reality and humour and seriousness in the Norse god adventure. The success of that film and The Avengers always meant a sequel was forthcoming, but could it be done correctly without Brannagh at the helm?
I suppose the answer is yes, but there is still something about Thor: The Dark World that makes it feel a little pedestrian compared to some of the heavyweights in the Marvel universe. There is nothing, strictly speaking, wrong with it, but I don’t think it would have made much of a difference had they skipped it entirely and moved straight on to The Avengers sequel scheduled for next year.
Like Iron Man 3, Thor: The Dark World is set after the events of The Avengers. And like the first film, it splits screen time between Thor’s world of Asgard and Earth. The story is frankly too complicated and convoluted for me to even try and explain, but all that needs to be known is that the Asgardians are facing an threat from an alien race because of yet another magical weapon (this one’s called the Aether) and Thor must enlist the aid of his imprisoned adopted brother Loki (the brilliant Tom Hiddleston) to get the job done. Meanwhile on Earth, his love interest Jane Foster (Natalie Portman) conveniently stumble onto portals that can transport them into other worlds.
Anyway, there’s lots of Thor hammer action, epic battle scenes and a good dose of comedy that aligns the tone of the movie with Joss Whedon’s wit in The Avengers. The charisma and chemistry of Hemsworth and Hiddleston provide the backbone to the movie and keep it afloat throughout all the muddled exposition, though Portman feels like a bit of an unwilling participant who’s only there because she’s contractually obliged. Kat Dennings, who plays Portman’s sidekick, gets to stand out more by providing the quirky one-liners, while Stellan Skarsgard provides a welcome return as Dr Selvig, a physicist who is now questioning is own sanity after what he has experienced.
The Thor franchise has always been the most difficult to translate to the screen out of all the other Avengers heroes and director Alan Taylor deserves a lot of credit for the solid action sequences and for finding the right vibe for a film about alien warriors in two very different worlds. And kudos for creating a sequel that is more personal and different to the original rather than just doing the exact same thing except with bigger noises and brighter special effects like what MIchael Bay did in the Transformers franchise.
Having said all that, I found the experience of watching Thor: The Dark Work somewhat tedious at times. Perhaps you need to be a fan of the comic to get into it because I didn’t think it was doing much more than scraping the surface and going through the motions without the same enthusiasm as its predecessor.
The final battle sequences in London provide something different but there was no exhilaration because both Thor and his adversary are so bloody indestructible. The fight reminded a lot of Superman vs Zod in Man of Steel, in which two dudes just keep throwing each other through a lot of buildings without hurting each other.
So, despite reasonable expectations, I came away relatively disappointed with Thor: The Dark World. Technically speaking it ticks the right boxes for a superhero sequel, but with so many similar flicks in recent years it struggles to distinguish itself from the rest of the pack.
3 stars out of 5
PS: And what the heck was that post-credits scene?