Movie Review: The Place Beyond the Pines (2013)
OK, I can see why the ladies love Ryan Gosling. If nothing else, the guy knows how to choose his roles.
We’re barely halfway through the year, but rest assured that The Place Beyond the Pines will be in my top 10 for 2013. As epic crime dramas go, they don’t get much better than this. Much like how Gosling’s 2011 classic, Drive, hypnotized me from the opening scene, Pines had me gripped all the way through. (But don’t be mistaken into thinking that the two films are in any way similar)
Written and directed by Derek Cianfrance (who previously collaborated with Gosling on the depressing Blue Valentine), Pines is an unusual film in that it abandons the traditional three act structure film students are told to adhere to. I guess you could treat it as three interconnected three-act pieces, or just one massive three-part epic. Whatever it is, it’s awesome.
It’s hard to go into plot details without giving away spoilers, so I’ll try my best to skirt around the edges. Ryan Gosling plays a circus motorcycle stunt rider who is forced to settle down when an old fling played by Eva Mendes drops a bombshell: they have a son. To make ends meet, Gosling finds a job at a shady auto shop run by Aussie Ben Mendelsohn, who teaches him how to earn lots of cash by making the most of Gosling’s amazing riding skills.
Meanwhile, Bradley Cooper plays a low-ranking but intelligent and ambitious cop who is given an opportunity to rise up the ranks, but at a cost that will challenge his sense of righteousness and morality. It’s probably not a spoiler to say that Ray Liotta plays a corrupt officer — I mean, what else could he be?
I don’t think the storyline itself is necessarily very original, but Cianfrance’s storytelling is sublime. He is a master of subtlety, atmosphere and tone — the film is dark, sombre and intentionally slow in some parts, but it draws you in with skillfully crafted tension and refuses to let go. Perhaps it was overly ambitious in some respects, though I can’t fault Cianfrance for trying.
The performances are some of the best I’ve seen this year. Gosling’s at his charismatic, brooding and vulnerable best — that I am used to by now — though I was completely blindsided by Cooper, who probably delivered the performance of a lifetime. He received an Oscar nomination for Silver Linings Playbook, but he is arguably even better here.
I just loved it from start to finish and was blown away by the conclusion. Pines won’t be for everyone, but those who get it will jump on the bandwagon.
4.5 out of 5!