Movie Review: A Good Day to Die Hard (2013)
The Die Hard franchise has been on progressive decline since the 1988 original, which I still believe to this day is the best action movie of all time. The 1990 sequel, Die Hard 2: Die Harder, is a surprisingly excellent action flick in its own right, while the 1995 Die Hard With a Vengeance is a prime example of a fantastic franchise reboot. All three can be considered action classics. The series took a bigger step back with 2007’s Die Hard 4.0 (or Live Free or Die Hard), where the 12-year gap had an unwelcome effect on the now-iconic John McClane, though it was still a relatively good movie. And now, the fifth and newest addition, A Good Day to Die Hard (let’s call it DH5 for simplicity sake), has fallen off the wagon and taken this great franchise down into the pits.
DH5 is not horrible by typical modern action movie standards, but it is a smear on the Die Hard franchise whichever way you look at it. In this one, John McClane (Bruce Willis) heads to Russia to “rescue” his son Jack (played by Aussie Jai Courtney), who has been arrested for a murder linked to an imprisoned political prisoner. Mayhem ensues, and this time the McClane father and son duo team up to annihilate the bad guys.
I’m not sure what they were trying to achieve with this plodding effort, which has a lot of guns and explosions and cars flying all over the place, but not much real tension, humour or genuine excitement. Perhaps they were trying to emulate the awesomeness of Taken or the Bourne series (ie, an unstoppable good guy beats up a lot of bad guys), which I believe is a huge mistake.
The earlier Die Hard films featured a reluctant, vulnerable McClane caught in situations he didn’t want to be in, which is why they were so full of tension and nervous energy. In the last two of the series, however, John McClane has ceased to be the old John McClane we know and love. He has become the “new” John McClane, some kind of hardened superhero who never gets rattled or hurt no matter how many times he is tossed around in moving metal, beaten up or dropped from ridiculously high places. He has too much cache from past experiences to be vulnerable. He’s like Bruce Willis in Unbreakable without the fear of water.
As a result, the DH5 is generally predictable (even with the twists) and frequently lame. Even though there’s all this stuff happening on the screen, there’s just no excitement because you know he’s John McClane and John McClane can never be beaten. Worst still, this new McClane has no special hand-to-hand combat skills like say a Jason Bourne or Bryan Mills — he’s just a guy who likes to fire a lot of guns and doesn’t get hit himself.
Part of the problem is the direction of John Moore, who was previously at the helm of Max Payne and the remake of The Omen in 2006. We also had the “new” John McClane in DH4 (directed by Len Wiseman from the Underworld series), but that film was still pretty good, so some of the blame has to go to Moore, who let his foot off the gas pedal too often and relied far too much on obvious digital effects in many of the action sequences.
The biggest culprit is likely the script by Skip Woods (Swordfish, Hitman, X-Men Origins: Wolverine and The A-Team), which is not very good at all. The dialogue is horrendous in both English and Russian and the attempts at creating some sort of father-son dynamic between the McClanes come off as clunky and out of place, largely because it feels so obligatory. McClane’s wry humour and one-liners, one of the defining traits of his character, is almost non-existent as well. Don’t get me wrong, there are efforts to lighten the mood, but they rarely felt like they meshed with the flow of the film.
The Die Hard franchise has always stretched the bounds of craziness, but a lot of what happens in DH5 is just plain lazy. Why don’t people bleed to death from untreated gun shots and puncture wounds? Why do Russian people who generally speak Russian to each other feel the need to squeeze in a sentence of English every now and then? Why do they suddenly start speaking completely in English towards the end? Why do some of their Russian accents even start disappearing? Why does Jack McClane have to say his dad’s name, “John”, at least once every sentence? We know his name is John; we’ve known that for the last four films! Who the heck talks like that?
Bruce Willis is still good enough to pull off John McClane, but I can’t help get the feeling that he’s growing a little weary and is ready to pass the baton to Jai Courtney, who is physically imposing but looks more like a bad guy than a good one (he was the bad guy in Jack Reacher and felt much more convincing). The rest of the cast is predominantly Russian and none are memorable. None even come close to possessing the charisma of a Hans Gruber (Alan Rickman from the original) or even a Simon Peter Gruber (Jeremy Irons from the third film), let’s just put it that way. That’s another problem to add to the list — lame antagonists.
When all is said and done, DH5 is actually a passable action film by ordinary standards, but a criminally bad one when measured against the lofty bar set by the earlier entries in the same franchise. It’s a real shame because I think they could have done much much better, especially if they are considering bringing together John McClane and both of his kids (that’s Jai Courtney and Mary Elizabeth Winstead, the latter of whom has a cameo in this one after appearing in DH4) in a sixth and potentially final Die Hard film.
2.5 stars out of 5