A post-apocalyptic world where two children from each of the nation’s 12 districts are thrust into a televised battle to the death – where there can only be one winner. That was the premise of Suzanne Collins’ The Hunger Games. Not entirely original (you know, Battle Royale, etc) but with enough originality and differences to be an enticing and exciting hit in its own right.
The second book in the series, Catching Fire, amazed me by taking the story to another level when I thought it had nowhere to go. Catching Fire widened the intensity and scope of the games, provided more context and upped the characters and action. Save for a disappointing ending, it was all fans could have hoped for.
Now I’ll admit I was initially sceptical about Mockingjay, the third and final instalment in the trilogy. Collins had already milked the “reality TV goes too far/totalitarian rule” concept for all it was worth, and now faced the daunting challenge of bringing the story to a satisfying conclusion. But how was she going to do it without getting repetitive?
Well, I’m glad to say that Mockingjay is a fitting finale to the Hunger Games trilogy. It might not have the freshness and creativity of the first book or the excitement and innovation of the second, but what Mockingjay does is wrap up the story extremely well and in a way that I certainly did not expect.
For starters, the tone of Mockingjay is very dark. It’s a brutal world Katniss Everdeen lives in and Collins does not sugar coat it. Think of the darkness of the final Harry Potter books and multiply it by…a lot. There’s blood and guts and the horrors of war. There’s military strategy and politics and propaganda. There are a lot of serious themes here, and at times I had to remind myself that I was reading a young adult novel. And if you’re expecting a wonderfully gift-wrapped ending with cream and cherries on top then you’ll likely be shocked. Mockingjay is a stark reminder that the “real” world rarely turns out the way we envisage.
Without giving away too much, the story picks up from the cliffhanger ending of Catching Fire. The Hunger Games are over and this one is all about the final battle with the Capitol that ensues. Katniss finds herself thrust into the spotlight again as the rebels want her to be the symbol of the rebellion against the evil President Snow, but is she really saving the world or is she merely another pawn in their game? And what about the two boys in her life, Peeta and Gale? Who will she choose? And what kind of world will she find herself in when it’s all said and done?
So as you can see, there’s lots to ponder in Mockingjay. This third book reinvents itself by stepping back from the Hunger Games to provide the bigger picture, including why the games were necessary in the first place. The focus here is no longer on reality TV but on the nature of war and power and the politics that go on behind it. The concepts and structure are arguably more intelligent and thought-provoking than the first two books in the series, and that’s saying a lot.
Collins continues to handle the action scenes with great skill, and there’s even a clever link back to the Hunger Games as the story nears its conclusion. I was also unexpectedly drawn to the ongoing love triangle between Katniss, Peeta and Gale, which never forms the centerpiece of the narrative but is always there and itching to be dealt with. For the record, I think it was resolved brilliantly.
My main problem with Mockingjay is a feeling of inevitability. You know things will end with a bang and you’re forced to wait patiently through the book for it to happen. While there are twists and turns and highs and lows, I got the feeling that Collins was to some extent padding the pages in the lead up to the big finale. In that sense, Mockingjay lacked the compulsive page-turning capabilities of The Hunger Games and in particular Catching Fire. Not to say it wasn’t still a brisk and exciting read, but let’s just say I would have gotten less paper cuts turning the pages (had been reading a real book instead of an e-book).
Ultimately, I guess you could call Mockingjay a satisfying conclusion of sorts. It might not be the perfect Hollywood ending some had hoped for but I for one preferred it this way. Some may gripe that the various loose ends in the book are not tied up very well – I personally thought an extra chapter or two was warranted – though the epilogue has a haunting quality that totally kills JK Rowling’s abomination from Harry Potter 7 (and do I even need to mention the vomit in Twilight: Breaking Dawn?).
So there you have it. Mockingjay is a flawed but strong conclusion to the Hunger Games trilogy, one of the rare literary phenomena these days that actually deserve much of its praise and success. I don’t think I have ever devoured a book series as quickly as I did this one.
3.75 out of 5