Movie Review: Prometheus (2D) (2012)
I just watched one of my most anticipated films of the year, Prometheus, Ridley Scott’s is-it-or-isn’t-it prequel to Alien, his 1979 classic. There is an answer to that question but it’s not a particularly important one, because Prometheus stands on it’s own extremely well. It’s not the classic Alien or Aliens is, but hey, few films are. If you measure the film by the impossible standards of those films, of course it is going to fall short. But by ordinary standards this film is freaking awesome. Visually stunning, with excellent performances and plenty of suspense. It’s not groundbreaking by any means but takes the successful Alien/s formula and places it on a much larger and different angled palette.
Set late in this century, it tells the story of a group of private sector space travellers who head to the moon of a distant planet to seek the origins of mankind. What they find, of course, is not quite what they expected.
This is a very different film to those in the Alien franchise (I am going to pretend, by the way, that the Alien vs Predator pieces of crap never existed). This is a ‘big ideas’ movie, or at least it tries to be one, and the scale and grandeur dwarfs anything that has been attempted in those earlier films. The special effects and the sets and make up are simply mind-blowing. The introductory scene sets the tone perfectly and is one of the best I have seen in a very long time.
At it’s heart though, Prometheus is still a sci-fi mystery horror, and in that regard it delivers. Even when you have a fair idea of what is likely to happen it’s still suspenseful — and often, extremely gross. It has scare tactics that will remind viewers of the Alien franchise though I wouldn’t call it ‘recycled.’ There are also one or two memorable scenes that will probably linger in the back of my mind forever.
The screenplay is written by Jon Spaihts and Damon Lindelof. Spaihts previously wrote the script for The Darkest Hour, which was a horrible movie but not because of the writing (I thought the idea was decent). Lindelof, on the other hand, is the co-creator of and writer for one of the most fascinating and frustrating TV shows of all time, Lost, and his fingerprints are all over this one.
On the bright side, the plot unravels like a brilliant mystery, akin to slowly peeling off the layers a giant onion. When you’re not terrified you’re fully engaged trying to figure out what the heck is going on. On the other hand, Prometheus is full of plot holes, loose ends and unexplained stuff that will frustrate a lot of viewers to no end. It’s almost as though it was written with a sequel in mind, or perhaps, like Lost, the writers just did what they thought was cool at the time without giving much thought to whether they could make sense of it later, if at all.
Being a film about finding the origins of man, there are of course some philosophical considerations. On this point I felt Prometheus was also very Lost-like; that is, a lot of interesting questions but not a lot of answers, a lot of style but not a whole lot of substance. That said, I didn’t really care. Intellectual stimulation was not high on the list of reasons why I wanted to watch this film.
The cast is super. Noomi Rapace, Michael Fassbender, Idris Elba, Charlize Theron and Guy Pearce. No weak link in that line up. The Assbender, though, is the clear standout as David, a mesmerising guy you quickly find out is not quite the same as the others. It’s not a stretch to say the Assbender carries the bulk of this film. 300, Centurion, Inglourious Basterds, X-Men: First Class, Shame and now Prometheus. The dude has become one of my favourite actors.
Rapace gives a sound effort as scientist Elizabeth Shaw, though it’s rather unfair to compare her to Ripley (Sigourney Weaver) because they are such different personalities. Unfortunately, she doesn’t even channel her inner Lisbeth Salander, which might leave some of her Dragon Tattoo fans disappointed. Despite her name being the first in the credits, Rapace doesn’t stand out throughout the first half of the film, which I’m not sure is by design. However, she does have one ripper of a scene later on, possibly the best sequence in the entire film (and an instant classic), and more or less redeems herself by the end.
So yeah, Prometheus is pretty cool. Flawed but very enjoyable if you can look past its most egregious problems. At the end of the day, I didn’t watch Prometheus expecting it to be as good as Alien/s. I didn’t watch it expecting to gain more insights about where we came from. I watched it expecting to be entertained, awed and terrified for a couple of hours. And I was.
4.25 stars out of 5!