Post Oscars Film Blitz

March 6, 2011 in Movie Reviews, Reviews by pacejmiller

I was supposed to review these films one by one, but I really couldn’t be bothered.  So I decided to lump them into a ‘post Oscars’ film blitz, as all of these films were a part of the Oscars.  Kind of.

Here we go…

Rabbit Hole (2010)

I’m not usually into depressing films, but I was in a good mood and thought, why the heck not?  And seriously, they don’t get much more depressing than Rabbit Hole (I haven’t seen Blue Valentine yet, might add it to the list later).

For those who don’t know what it’s about, let’s just say it’s about profound grief and loss, and how to deal with it and move on.  It stars Nicole Kidman in her Oscar-nominated performance, Aaron Eckhart, Diane Wiest and Sandra Oh.

It’s an extremely powerful film, I’ll admit that, and it has some surprisingly amusing sequences, but on the whole, Rabbit Hole is a pretty rough 91 minutes to sit through.  I don’t know what else to say without giving away too much.

As for the performances, I know Kidman got all the kudos, but it beats me how after so many years she still can’t pin down that American accent!  In all honesty, I preferred Eckhart.  I found his scenes more engaging and wondered how Kidman got the nomination and he didn’t.

3.5 stars out of 5

Inside Job (2010)

I rushed out to see Inside Job after it won the Oscar for Best Documentary.  It’s essentially a film that attempts to explain how the Global Financial Crisis (ie the one we’re still recovering from) happened, and tries to apportion the blame to the various parties involved.

Ultimately, despite learning a great deal about the history of the financial markets, the financial instruments, and the GFC itself, I was a little disappointed.  Props for making this film because I know a lot of people (myself included) would like to know just what the heck happened, and how it happened.  However, I did find it somewhat dry in parts and a little too preachy, especially towards the end.  Just listen to director Charles Ferguson’s acceptance speech at the Oscars and you’ll get what I mean.

I am by no means trying to defend the greed and the corruption that plagued the system and led to the collapse, but I think it would have been good to see more of the human side of the crisis.  Rather than simply painting them as the ‘bad guys’ in all of this, I wanted to see what was going through the minds of these bankers and executives as they raked in the money without regard for the consequences — and I wanted to see how the crisis affected the lives of people on all levels of income and wealth.

It was an interesting film and an important one, but apart from a lot of anger and frustration, I didn’t get the deeper emotional connection and understanding I was expecting.

3.5 stars out of 5

No Strings Attached (2011)

This film was obviously not nominated for an Oscar, but the star, Natalie Portman, did win a Best Actress Oscar for another film (Black Swan), so I guess that’s my Oscar connection to justify this film being in the post.

I remember before the Oscars there were people saying that No Strings Attached is potentially so bad that it might derail Natalie’s Oscar chances.  Well, it turned out to be much ado about nothing.  And besides, No Strings Attached was not that bad anyway.  It was just average, which is not horrible considering that most rom-coms these days are.

Portman’s Emma and Ashton Kutcher’s Adam met when they were teenagers at some camp, and kept bumping into each other over the years.  Then Adam’s dad, played by Kevin Kline, does something despicable and sends Adam into a bender and eventually Emma’s house.  Yada, yada, yada, you know what happens, but they decide to have a ‘no strings attached’ relationship.  And yada, yada, yada, you know what happens in the end.

The film started off promisingly enough.  Director Ivan Reitman (pretty mixed bag as a director) infuses the story with quirky humour and likable characters (essential for a good rom-com).  There are some genuinely amusing moments and one-liners littered throughout, though mostly at the beginning.  Kutcher is kind of always the same — with that cheery, but mopey/dopey looking dude-face, while Portman gets to show her less serious side (with shades of her Saturday Night Live performances?).  The chemistry is there, which I must admit surprised me.

As usual, the rom-com shifts from comedy to romance as it strolls along to the predictable finale, and that’s where No Strings Attached fails to bring something fresh to the table.  And for what is really a sweet film at heart, it is inexplicably and unnecessarily dirty — I blame that on all the Judd Apatow films in recent years.

3 stars out of 5

Love and Other Drugs (2010)

The Oscar connections are getting more tenuous.  Love and Other Drugs features Jake Gyllenhaal and Anne Hathaway, the latter of which…hosted the Oscars this year!

Anyway, this is one of those films that I liked more than I should have.  It was marketed as a laugh-out-loud, silly rom-com about two promiscuous people, but that’s really only half true — because the second half, which is completely different to the first, is kind of a depressing ‘disease romance’ (I just made that up).  To me, both halves were pretty good, even though that does make for a fairly uneven film.

What I liked about the first half was the insight into the pharmaceutical industry and in particular medical reps who try and sell drugs to doctors.  And the start of the Viagra craze is always a fascinating thing to relive.  I think the film handled that part very well.  As for the second half, while the laughs died out quickly, I did find myself unexpectedly moved by the story and the emotions of the characters.

So yeah, I enjoyed it.

3.75 stars out of 5

Burlesque (2010)

Mmm…Cher once won an Oscar, and let’s face it, Christina Aguilera never will.  And it won a Golden Globe (a pre-cursor to the Oscars) for Best Original Song.  Oh, and Cher got a Razzie (the opposite of the Oscars) nomination for it this year!

Using the typical ‘small town girl in big city’ template, Burlesque follows Christina as she finds herself working in a burlesque bar (called ‘Burlesque’) where she’s just waiting to be discovered.  Cher is the owner, Kristen Bell is the rival, Eric Dane is the tempter, and Cam Gigandet is the potential love interest.  Fill in the blanks yourself and toss in a bunch of musical song and dance numbers from Christina and Cher, and that’s the movie in a nutshell.

Is it horrible?  No.  I actually expected a lot less, though I would have preferred it if they just went along for the ride and not taken themselves so seriously (because the unintended effect is quite comical).  At the end of the day, Burlesque is a Christina vehicle, and it certainly shows off her spectacular voice and not-too-shabby acting abilities.  It’s campy, musical and melodramatic, just as you would expect it to be.  And while it’s certainly nothing special, it is better than the Britney equivalent (Crossroads).

2.5 stars out of 5

E-Book Millionaire Gives Hope to Aspiring Writers

March 6, 2011 in Blogging, Misc, On Writing, Websites by pacejmiller

Source: smh.com.au

A friend of mine recently sent me a link to an article about 26 year-old Amanda Hocking, who is apparently making ‘millions’ in the e-book market on Amazon.

Being an aspiring novelist, I was intrigued by her success, especially since there’s been nothing but depressing news lately on the publishing front with the collapse of RedGroup Retail, the owner of both the Borders and Angus & Robertson bookseller chains in Australia.

Can a writer really become successful selling e-books on Amazon?  Well, Hocking has.  She prices her books between 99 cents and $2.99, but gets to keep 70% of all sales.  She reportedly sells around 100,000 books a month, so by my calculations that would net her between $70,000 and $210,000 a month.  Those are numbers any writer with commercial aspirations would die to have.

Anyway, I looked up Hocking’s blog here, and learned that she is American, and she writes paranormal romance, which means that she probably owes some of her success to that person who wrote a love story between a human and a vampire (and a werewolf).  Hocking’s the bestselling author of Trylle Trilogy and the My Blood Approves series.

However, what I found most interesting came from her post on March 3rd, which really put things in perspective for me.  I’ll just quote her directly:

Everybody seems really excited about what I’m doing and how I’ve been so successful, and from what I’ve been able to understand, it’s because a lot of people think that they can replicate my success and what I’ve done. And while I do think I will not be the only one to do this – others will be as successful as I’ve been, some even more so – I don’t think it will happen that often.

Traditional publishing and indie publishing aren’t all that different, and I don’t think people realize that. Some books and authors are best sellers, but most aren’t. It may be easier to self-publish than it is to traditionally publish, but in all honesty, it’s harder to be a best seller self-publishing than it is with a house.

I don’t think people really grasp how much work I do. I think there is this very big misconception that I was like, “Hey, paranormal is pretty hot right now,” and then I spent a weekend smashing out some words, threw it up online, and woke up the next day with a million dollars in my bank account.

This is literally years of work you’re seeing. And hours and hours of work each day. The amount of time and energy I put into marketing is exhausting. I am continuously overwhelmed by the amount of work I have to do that isn’t writing a book. I hardly have time to write anymore, which sucks and terrifies me.

I also have this tremendous sense of urgency, like if I don’t get everything out now and do everything now, while the iron is hot, everything I’ve worked for will just fall away. For the first time, I truly understand why workaholics are workaholics. You can’t stop working, because if you do, it unravels all the work you’ve already done. You have to keep going, or you’ll die.

Or at least that’s how it feels.

How about that?  I admit, I was one of those people that thought, maybe this is just some girl who got lucky riding the Stephenie Meyer wave, pretty much like how she described it above.  But of course, while she must have had some luck along the way (as most successful writers do), she succeeded because of hard work and persistence– not just in writing and editing but also in promoting and marketing her books.

While I do envy Hocking’s success, what I envy most is her determination and sense of urgency.  She’s not an overnight success, even if that’s what the media is painting her out to be.  She has been writing for years, written 19 books, with 8 novels and 1 novella published.  She didn’t get e-published until April 2010, and since then has sold 900,000 copies across 9 titles.

That’s the mental stuff I need to develop — that burning desire to work every waking moment I get, continuously striving to perfect my craft and work.

Kind of like what Charlie Sheen is doing right now — making the most of his life (and winning!).